Artist: Bergen Philharmonic Orchestra, Dejan Lazić, Jan Willem de Vriend
Album: Mozart: Piano Concertos Nos. 23 & 14
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 55:06
Total Tracks: 7
Total Size: 938 MB

Tracklist:

1-1. Bergen Philharmonic Orchestra – Piano Concerto No. 23 in A Major, K. 488: I. Allegro (Cadenza by Dejan Lazić) (11:32)
1-2. Bergen Philharmonic Orchestra – Piano Concerto No. 23 in A Major, K. 488: II. Adagio (Cadenza by Dejan Lazić) (06:31)
1-3. Bergen Philharmonic Orchestra – Piano Concerto No. 23 in A Major, K. 488: III. Allegro assai (Cadenza by Dejan Lazić) (07:54)
1-4. Bergen Philharmonic Orchestra – Rondo Concertante – Allegretto grazioso (Arr. for Piano and Orchestra by Dejan Lazić, after the 3rd movement of Piano Sonata in B-Flat Major, K. 333/315c) (06:42)
1-5. Bergen Philharmonic Orchestra – Piano Concerto No. 14 in E-Flat Major, K. 449 I: Allegro vivace (Cadenza by Dejan Lazić) (09:15)
1-6. Bergen Philharmonic Orchestra – Piano Concerto No. 14 in E-Flat Major, K. 449 II: Andantino (Cadenza by Dejan Lazić) (06:41)
1-7. Bergen Philharmonic Orchestra – Piano Concerto No. 14 in E-Flat Major, K. 449 III: Allegro ma non troppo (Cadenza by Dejan Lazić) (06:28)

Download:

Dejan Lazić: The concept behind our present undertaking, the Mozart Piano Concertos CD-trilogy, is to bring together concertos of Mozart’s miscellaneous composing and performing periods, styles, techniques, and instrumentations side by side, thus to deeply examine and throughout his travels more closely explore his many creative phases within this genre. That is linked further with an encore-like single work on each CD, yet the additional connecting link between these initially planned six piano concertos is the Cadenzas & Lead-ins which I have composed myself.Me and conductor de Vriend, partnering here together with the wonderful Bergen Philharmonic Orchestra, we took a great care of the needs of Mozart’s music that was of course written for an instrument with a different timbre and dynamic range than the modern concert grand, thus carefully balancing the methods of playing: voicing, phrasing, articulation, rhetoric, and dynamics during solo, accompanied solo and tutti.