John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra, Edward Gardner – Bartók: Bluebeard’s Castle, Op. 11, Sz. 48 (2019) [FLAC 24 bit, 96 kHz]

John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra, Edward Gardner - Bartók: Bluebeard's Castle, Op. 11, Sz. 48 (2019) [FLAC 24 bit, 96 kHz] Download

Artist: John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra, Edward Gardner
Album: Bartók: Bluebeard’s Castle, Op. 11, Sz. 48
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 58:55
Total Tracks: 20
Total Size: 901 MB

Tracklist:

1. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Haj regő rejtem (02:08)
2. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Megérkeztünk (03:26)
3. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Ez a Kékszakállú vára! (02:50)
4. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Miért jöttél hozzám, Judit? (01:51)
5. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Nagy csukott ajtókat látok (02:15)
6. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Oh, a várad felsóhajtott! (02:58)
7. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Jaj! (03:59)
8. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Mit látsz? (02:24)
9. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Váram sötét töve reszket (01:49)
10. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Oh, be sok kincs! (02:23)
11. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Oh! Virágok! (05:00)
12. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Ah! Lásd ez az én birodalmam (03:52)
13. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Nézd, tündököl az én váram (02:42)
14. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Csendes fehér tavat látok (04:34)
15. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Az utolsót nem nyitom ki (01:26)
16. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Mondd meg nekem Kékszakállú (02:25)
17. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Tudom, tudom, Kékszakállú (03:37)
18. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Lásd a régi asszonyokat (02:25)
19. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Hajnalban az elsőt leltem (01:50)
20. John Relyea, Michelle DeYoung, Bergen Philharmonic Orchestra & Edward Gardner – Bluebeard’s Castle, Op. 11, Sz. 48: Negyediket éjjel leltem (04:55)

Download:

Following outstanding reviews for his interpretation of Duke Bluebeard around the world, notably at the Paris Opéra and then in Philadelphia and New York with Michelle DeYoung, John Relyea stars in this recording of Bartók’s psychological thriller. The two protagonists are joined by Edward Gardner and his Bergen Philharmonic Orchestra, and the Hungarian actor Pál Mácsai who delivers the Prologue, the work being sung in the original Hungarian. Bartók’s only opera, Bluebeard’s Castle was composed in 1911 and is based on a libretto by Béla Balázs (a room-mate of Kodály), which met Bartók’s desire for a subject that was modern, but drawn from traditional culture.

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