Artist: Jan Willem de Vriend, Stavanger Symphony Orchestra, Mari Eriksmoen
Album: Arias and Overtures
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 01:10:31
Total Tracks: 15
Total Size: 670 MB

Tracklist:

1. Mari Eriksmoen – Aspasia from Mitridate, rè di Ponto, K. 87 (K. 74a): “Al destin che la minaccia” (04:58)
2. Stavanger Symphony Orchestra – Acis und Galatea, K. 566: Overture (03:33)
3. Mari Eriksmoen – Der Messias, K. 572: “Wie lieblich ist der Boten Schritt” (02:14)
4. Mari Eriksmoen – Idomeneo, K. 366: “Quando avran fine omai” – “Padre, germani, addio!” – “Ecco, Idamante, ahimè” (08:16)
5. Mari Eriksmoen – Giulio Cesare in Egitto, HWV 17: “Da tempeste il legno infranto” (06:08)
6. Mari Eriksmoen – Joshua, HWV 64: “O had I Jubal’s Lyre’ (02:42)
7. Mari Eriksmoen – Acis und Galatea, K. 566: “O fühltest du die Qualen” – “Wie’s Täubchen klagt um den Gemahl” (06:07)
8. Mari Eriksmoen – “Alma grande e nobil core”, K. 578 (04:29)
9. Stavanger Symphony Orchestra – Das Alexander-Fest, K. 591: Overture (05:53)
10. Mari Eriksmoen – Don Giovanni, K. 527: “Crudele? Troppo mi spiace…” – “Non mi dir” (06:01)
11. Mari Eriksmoen – Teseo, HWV 9: “M’adora l’idol mio” (05:57)
12. Mari Eriksmoen – Die Zauberflöte, K. 620: “Ach, ich fühl’s” (03:58)
13. Mari Eriksmoen – Silla, HWV 10: “Secondate, oh giusti dei” (02:24)
14. Mari Eriksmoen – Teseo, HWV 9: “Amarti si vorrei” (04:54)
15. Mari Eriksmoen – Don Giovanni, K. 527: “Or sai chi l’onore “ (02:49)

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The profile of Norwegian soprano Mari Eriksmoen continues to rise through her regular appearance on Europe’s major opera, concert and recital stages, and she is consistently praised for her compelling blend of radiant stage personality and purity of vocal tone. This is her first opera arias recital and is focused on Handel and Mozart. Previously on disc, Eriksmoen features on Schumann’s Szenen aus Goethes Faust with Symphonieorchester des Bayerischen Rundfunks under Daniel Harding, Mozart’s Die Entführung aus dem Serail, both with Akademie für alte Musik Berlin under René Jacobs and Glyndebourne Festival conducted by Robin Ticciati, and in a ​“poised, elegant and persuasive” (Guardian) debut recital featuring songs by Grieg, Grøndahl, Wolf and Strauss with Alphonse Cemin (Alpha).