Artist: Edward Gardner, Bergen Philharmonic Orchestra, Sara Jakubiak
Album: Schoenberg: Erwartung, Op. 17 & Pelleas und Melisande, Op. 5
Genre: Classical
Release Date: 2020
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 01:07:36
Total Tracks: 24
Total Size: 1,10 GB

Tracklist:

01. Bergen Philharmonic Orchestra – Die ein wenig bewegt (01:26)
02. Bergen Philharmonic Orchestra – Ein wenig bewegter – Heftig (02:07)
03. Bergen Philharmonic Orchestra – Sehr warm, in breiter Bewegung (02:43)
04. Bergen Philharmonic Orchestra – Lebhaft – Etwas zuruckhaltend – Wieder lebhaft (03:36)
05. Bergen Philharmonic Orchestra – Sehr rasch (03:11)
06. Bergen Philharmonic Orchestra – Sehr langsam (02:06)
07. Bergen Philharmonic Orchestra – Sehr langsam, gedehnt. (02:36)
08. Bergen Philharmonic Orchestra – Langsam (02:48)
09. Bergen Philharmonic Orchestra – Ein wenig bewegter – Etwas bewegter (02:35)
10. Bergen Philharmonic Orchestra – Viel rascher; beschleunigend (00:49)
11. Bergen Philharmonic Orchestra – Sehr langsam – Etwas langsamer (06:09)
12. Bergen Philharmonic Orchestra – In gehender Bewegung (02:03)
13. Bergen Philharmonic Orchestra – Breit – Langsam – Nach und nach wieder ins Tempo (04:57)
14. Sara Jakubiak – Hier himein? (02:49)
15. Sara Jakubiak – Ach! Nur der Mond (02:58)
16. Sara Jakubiak – Ash! Nur der Mond (01:49)
17. Sara Jakubiak – Er ist auch nicht (02:06)
18. Sara Jakubiak – Das Mondlicht (01:08)
19. Sara Jakubiak – Es ist noch da (02:32)
20. Sara Jakubiak – Oh, es ist heller Tag (04:46)
21. Sara Jakubiak – Nein, das ist doch (01:42)
22. Sara Jakubiak – Du siehst wieder dort (01:32)
23. Sara Jakubiak – Oh! Nicht einmal (04:07)
24. Sara Jakubiak – Liebster, Liebster (04:48)

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Written only six years apart, these two works share a common narrative of frustrated love, and the concept of the forest as a metaphor for the subconscious mind. Musically they are wildly different, however; Pelleas, which Schoenberg wrote in his late twenties, is the epitome of his late romantic style, indebted to Richard Strauss. Erwartung (his first work for the stage) was written after his conversion to atonality.Written only six years apart, these two works share a common narrative of frustrated love, and the concept of the forest as a metaphor for the subconscious mind. Musically they are wildly different, however; Pelleas, which Schoenberg wrote in his late twenties, is the epitome of his late romantic style, indebted to Richard Strauss. Erwartung (his first work for the stage) was written after his conversion to atonality.