Artist: Ophélie Gaillard, Pulcinella Orchestra
Album: Carl Philipp Emanuel Bach, Vol. 2
Genre: Classical
Release Date: 2016
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 01:21:04
Total Tracks: 15
Total Size: 1,48 GB

Tracklist:

01. Ophélie Gaillard, Pulcinella Orchestra – Sinfonia No. 3 in C Major, Wq. 182/3: I. Allegro assai (02:23)
02. Ophélie Gaillard, Pulcinella Orchestra – Sinfonia No. 3 in C Major, Wq. 182/3: II. Adagio (02:49)
03. Ophélie Gaillard, Pulcinella Orchestra – Sinfonia No. 3 in C Major, Wq. 182/3: III. Allegretto (04:35)
04. Ophélie Gaillard, Pulcinella Orchestra – Cello Concerto in B-Flat Major, Wq. 171: I. Allegro (07:29)
05. Ophélie Gaillard, Pulcinella Orchestra – Cello Concerto in B-Flat Major, Wq. 171: II. Adagio (06:40)
06. Ophélie Gaillard, Pulcinella Orchestra – Cello Concerto in B-Flat Major, Wq. 171: III. Allegro assai (06:18)
07. Ophélie Gaillard, Pulcinella Orchestra – Sinfonia in E Minor, Wq. 178: I. Allegro assai (04:05)
08. Ophélie Gaillard, Pulcinella Orchestra – Sinfonia in E Minor, Wq. 178: II. Andante moderato (02:41)
09. Ophélie Gaillard, Pulcinella Orchestra – Sinfonia in E Minor, Wq. 178: III. Allegro (03:12)
10. Ophélie Gaillard, Pulcinella Orchestra – Piccolo Cello Sonata in D Major, Wq. 137: I. Adagio, ma non tanto (03:41)
11. Ophélie Gaillard, Pulcinella Orchestra – Piccolo Cello Sonata in D Major, Wq. 137: II. Allegro di molto (09:14)
12. Ophélie Gaillard, Pulcinella Orchestra – Piccolo Cello Sonata in D Major, Wq. 137: III. Arioso (06:21)
13. Ophélie Gaillard, Pulcinella Orchestra – Harpsichord Concerto in D Minor, Wq. 17: I. Allegro (07:32)
14. Ophélie Gaillard, Pulcinella Orchestra – Harpsichord Concerto in D Minor, Wq. 17: II. Un poco adagio (07:43)
15. Ophélie Gaillard, Pulcinella Orchestra – Harpsichord Concerto in D Minor, Wq. 17: III. Allegro (06:16)

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After the success of their first volume Ophélie Gaillard and Pulcinella propose a second disc devoted to Johann Sebastian Bach’s most talented and surprising son, Carl Philipp Emanuel (1714-1788). The Sinfonia in C major expresses multiple emotions, ranging from irrepressible suffering in the Adagio to joyous release and insouciance in the concluding Allegretto, tinged with near-Mozartian grace. The Cello Concerto in B flat reveals the influence of the waning Baroque era and Vivaldi in particular. The Sinfonia in E minor, nicknamed ‘Fandango’ and dating from his Berlin years, is commonly regarded as one of his finest symphonies. The particularly virtuosic Sonata for cello piccolo and keyboard shows to advantage the two soloists of this recording: Ophélie Gaillard and Francesco Corti, whose fieriness is further revealed in the Harpsichord Concerto in D minor.