Ophélie Gaillard, Louis Schwizgebel-Wang, Fabio Di Càsola – Brahms: Cello Sonatas (2013) [FLAC 24 bit, 88,2 kHz]

Ophélie Gaillard, Louis Schwizgebel-Wang, Fabio Di Càsola - Brahms: Cello Sonatas (2013) [FLAC 24 bit, 88,2 kHz] Download

Artist: Ophélie Gaillard, Louis Schwizgebel-Wang, Fabio Di Càsola
Album: Brahms: Cello Sonatas
Genre: Classical
Release Date: 2013
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 01:15:30
Total Tracks: 11
Total Size: 1,03 GB

Tracklist:

01. Ophélie Gaillard, Louis Schwizgebel-Wang – Sonata for cello and piano No. 2 in F major, Op. 99: I. Allegro vivace (08:29)
02. Ophélie Gaillard, Louis Schwizgebel-Wang – Sonata for cello and piano No. 2 in F major, Op. 99: II. Adagio affettuoso (06:21)
03. Ophélie Gaillard, Louis Schwizgebel-Wang – Sonata for cello and piano No. 2 in F major, Op. 99: III. Allegro passionato (06:46)
04. Ophélie Gaillard, Louis Schwizgebel-Wang – Sonata for cello and piano No. 2 in F major, Op. 99: IV. Allegro (04:33)
05. Ophélie Gaillard, Louis Schwizgebel-Wang – Sonata for cello and piano No. 1 in E minor, Op. 38: I. Allegro (14:17)
06. Ophélie Gaillard, Louis Schwizgebel-Wang – Sonata for cello and piano No. 1 in E minor, Op. 38: II. Allegretto quasi minuetto (05:18)
07. Ophélie Gaillard, Louis Schwizgebel-Wang – Sonata for cello and piano No. 1 in E minor, Op. 38: III. Allegro (06:23)
08. Ophélie Gaillard, Louis Schwizgebel-Wang, Fabio Di Càsola – Trio for clarinet, cello and piano in A minor, Op. 114: I. Allegro alla breve (07:30)
09. Ophélie Gaillard, Louis Schwizgebel-Wang, Fabio Di Càsola – Trio for clarinet, cello and piano in A minor, Op. 114: II. Adagio (07:27)
10. Ophélie Gaillard, Louis Schwizgebel-Wang, Fabio Di Càsola – Trio for clarinet, cello and piano in A minor, Op. 114: III. Andantini grazioso (03:57)
11. Ophélie Gaillard, Louis Schwizgebel-Wang, Fabio Di Càsola – Trio for clarinet, cello and piano in A minor, Op. 114: IV. Finale: Allegro (04:24)

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Brahms’s important output of 24 chamber scores dominated the second half of the 19th century, as that of Beethoven had dominated the first half. His corpus was thus a response to that of Beethoven, his model, and to that of Mendelssohn, who was likewise born in Hamburg and also composed two cello sonatas. In 1890, aged only 57, Brahms resolved to give up composing but he had reckoned without the inspiration that his meeting with the Meiningen clarinetist Richard Mühlfeld was to have on his creative imagination. He subsequently added four scores for clarinet to his output, including this Trio Op. 114.“Gaillard has always displayed an extraordinary palette of colours and these some alive more than ever on this recording…the voyage into earlier repertoire since her last such disc…seems to have informed her playing with even more subtlety than before.” –Gramophone

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