Aerosmith – Live! Bootleg (1978/2012) [FLAC, 24bit, 96 kHz]

Aerosmith - Live! Bootleg (1978/2012) [FLAC, 24bit, 96 kHz] Download

Artist: Aerosmith
Album: Live! Bootleg
Genre: Rock
Release Date: 1978/2012
Audio Format: FLAC (tracks) 24bit, 96 kHz
Duration: 01:15:45
Total Tracks: 16
Total Size: 1,70 GB

Tracklist:

01. Aerosmith – Back in the Saddle (Live Version; 2012 Remaster) (04:25)
02. Aerosmith – Sweet Emotion (Live Version; 2012 Remaster) (04:43)
03. Aerosmith – Lord of the Thighs (Live Version; 2012 Remaster) (07:18)
04. Aerosmith – Toys in the Attic (Live Version; 2012 Remaster) (03:45)
05. Aerosmith – Last Child (Live Version; 2012 Remaster) (03:14)
06. Aerosmith – Come Together (Live Version; 2012 Remaster) (04:51)
07. Aerosmith – Walk This Way (Live Version; 2012 Remaster) (03:47)
08. Aerosmith – Sick as a Dog (Live Version; 2012 Remaster) (04:42)
09. Aerosmith – Dream On (Live Version; 2012 Remaster) (04:32)
10. Aerosmith – Chip Away at the Stone (Live Version; 2012 Remaster) (04:12)
11. Aerosmith – Sight for Sore Eyes (Live Version; 2012 Remaster) (03:19)
12. Aerosmith – Mama Kin (Live Version; 2012 Remaster) (03:41)
13. Aerosmith – S.O.S. (Live Version; 2012 Remaster) (02:46)
14. Aerosmith – I Ain’t Got You (Live Version; 2012 Remaster) (03:57)
15. Aerosmith – Mother Popcorn / Draw the Line (Live Version; 2012 Remaster) (11:38)
16. Aerosmith – Train Kept A Rollin’ / Strangers in the Night (Live Version; 2012 Remaster) (04:46)

Download Links:

Since Aerosmith had become one of America’s premier rock & roll concert attractions by 1978, it was only natural that an in-concert collection was issued that year, the double album, Live Bootleg. Unlike other live albums at the time, it’s obvious that not a lot of overdubbing was involved to fix up the tracks, which results in a refreshingly authentic representation of Aerosmith at the group’s most drugged-out and rocking. All of the performances were taken from Tyler and company’s 1977-1978 U.S. tour (with the exception of a couple from 1973), while the album’s packaging and title were a joke on all the poor-sounding, unauthorized live recordings that were in circulation at the time.

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