Artist: Wiener Philharmoniker, Leonard Bernstein
Album: Beethoven: String Quartet No.14 In C Sharp Minor, Op.131
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 192 kHz
Duration: 45:58
Total Tracks: 7
Total Size: 1,86 GB

Tracklist:

1. Wiener Philharmoniker & Leonard Bernstein – String Quartet No. 14 in C-Sharp Minor, Op. 131 – Version for String Orchestra by Dimitri Mitropoulos: 1. Adagio, ma non troppo e molto espressivo (Live) (08:46)
2. Wiener Philharmoniker & Leonard Bernstein – String Quartet No. 14 in C-Sharp Minor, Op. 131 – Version for String Orchestra by Dimitri Mitropoulos: 2. Allegretto (Live) (03:14)
3. Wiener Philharmoniker & Leonard Bernstein – String Quartet No. 14 in C-Sharp Minor, Op. 131 – Version for String Orchestra by Dimitri Mitropoulos: 3. Allegro moderato – attacca: (Live) (00:54)
4. Wiener Philharmoniker & Leonard Bernstein – String Quartet No. 14 in C-Sharp Minor, Op. 131 – Version for String Orchestra by Dimitri Mitropoulos: 4. Andante, ma non troppo e molto cantabile (Live) (17:16)
5. Wiener Philharmoniker & Leonard Bernstein – String Quartet No. 14 in C-Sharp Minor, Op. 131 – Version for String Orchestra by Dimitri Mitropoulos: 5. Presto – Molto poco adagio – attacca (Live) (06:03)
6. Wiener Philharmoniker & Leonard Bernstein – String Quartet No. 14 in C-Sharp Minor, Op. 131 – Version for String Orchestra by Dimitri Mitropoulos: 6. Adagio quasi un poco andante – attacca: (Live) (02:44)
7. Wiener Philharmoniker & Leonard Bernstein – String Quartet No. 14 in C-Sharp Minor, Op. 131 – Version for String Orchestra by Dimitri Mitropoulos: 7. Allegro (Live) (06:59)

Download:

Leonard Bernstein’s otherwise harmonious relationship with the Vienna Philharmonic hit a few bumps when he proposed that they perform this string quartet transcription of Beethoven’s Quartet in C-sharp Minor, op. 131. But only a few minutes into the first rehearsal, all static evaporated. One hears why: this great, idiosyncratic piece–along with the Quartet in F, op. 135–is played with startling freshness and affection. The unanimity of the orchestra ensures that textures are rarely muddied, while the sound of massed strings gives the music a grandeur always implied but never realized by conventional string quartet performances. What comes most to the fore in this version is the music’s meditative qualities. At times, the slow movements sound like Mahler, with whom Bernstein identified even more strongly than with Beethoven.