Leonard Bernstein – Stravinsky: L’Histoire du soldat & Octet – Milhaud: La Création du monde, Op. 81 – Bernstein: Afterthought (Remastered) (2017) [FLAC 24 bit, 96 kHz]

Leonard Bernstein - Stravinsky: L'Histoire du soldat & Octet - Milhaud: La Création du monde, Op. 81 - Bernstein: Afterthought (Remastered) (2017) [FLAC 24 bit, 96 kHz] Download

Artist: Leonard Bernstein
Album: Stravinsky: L’Histoire du soldat & Octet – Milhaud: La Création du monde, Op. 81 – Bernstein: Afterthought (Remastered)
Genre: Classical
Release Date: 2017
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:01:39
Total Tracks: 15
Total Size: 599 MB

Tracklist:

Igor Feodorovich Stravinsky (1882-1971)
01. The Soldier’s Tale (Excerpts): The Soldier’s March
02. The Soldier’s Tale (Excerpts): The Soldier’s Tale (Excerpts): Music to Scene 1
03. The Soldier’s Tale (Excerpts): The Soldier’s Tale (Excerpts): The Royal March
04. The Soldier’s Tale (Excerpts): The Soldier’s Tale (Excerpts): Music to Scene 2
05. The Soldier’s Tale (Excerpts): The Soldier’s Tale (Excerpts): The Little Concert
06. The Soldier’s Tale (Excerpts): The Soldier’s Tale (Excerpts): 3 Dances: Tango-Waltz-Ragtime
07. The Soldier’s Tale (Excerpts): The Soldier’s Tale (Excerpts): Little Chorale
08. The Soldier’s Tale (Excerpts): The Soldier’s Tale (Excerpts): The Devil’s Dance
09. The Soldier’s Tale (Excerpts): The Soldier’s Tale (Excerpts): The Great Chorale
10. The Soldier’s Tale (Excerpts): Triumphal March of the Devil
11. Octet for Wind Instruments: Octet for Wind Instruments: I. Sinfonia
12. Octet for Wind Instruments: Octet for Wind Instruments: II. Tema con variazioni
13. Octet for Wind Instruments: Octet for Wind Instruments: III. Finale

Darius Milhaud (1892-1974)
14. La création du monde, Op. 81 (Remastered)

Leonard Bernstein (1918-90)
15. Afterthought-Study for the Ballet “Facsimile” (Remastered)

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It was in these terms that Ferruccio Busoni greeted the publication in 1908 of the 14 Bagatelles, in which Béla Bartók conveyed the violent aesthetic impact of his discovery of authentic Hungarian peasant music. Over the next 20 years, up to the magisterial Sonata of 1926, he indefatigably refined an innovative pianistic language: pungent, dissonant, percussive, with multiple new playing techniques, that was to influence the entire 20th century. A master of every style, from Haydn to Boulez by way of Chopin and Chabrier, Alain Planès stands revealed here as a Bartókian of the front rank.

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