Artist: Peter Donohoe
Album: Tchaikovsky: Solo Piano Works
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:24:52
Total Tracks: 16
Total Size: 1,29 GB

Tracklist:

01. Peter Donohoe – Scherzo a la Russe in Bb major, Op. 1: No. 1. (06:23)
02. Peter Donohoe – Impromptu in Eb minor, Op. 1: No 2 (06:08)
03. Peter Donohoe – Capriccio in Gb Major, Op. 8 (05:24)
04. Peter Donohoe – Six Pieces on One Theme, Op. 21: I. Prélude. Allegro moderato (02:02)
05. Peter Donohoe – Six Pieces on One Theme, Op. 21: II. Fugue à 4 voix. Andante (03:06)
06. Peter Donohoe – Six Pieces on One Theme, Op. 21: III. Impromptu. Allegro molto (01:53)
07. Peter Donohoe – Six Pieces on One Theme, Op. 21: IV. March funèbre. Moderato. Tempo di Marcia (05:42)
08. Peter Donohoe – Six Pieces on One Theme, Op. 21: V. Mazurque. Allegro moderato (04:10)
09. Peter Donohoe – Six Pieces on One Theme, Op. 21: VI. Scherzo. Allegro vivace (04:50)
10. Peter Donohoe – Aveu Passionné (03:01)
11. Peter Donohoe – Sonata No. 2 in G Major, Op. 37: I. Moderato e risoluto (11:56)
12. Peter Donohoe – Sonata No. 2 in G Major, Op. 37: II. Andante non troppo quasi Moderato (08:50)
13. Peter Donohoe – Sonata No. 2 in G Major, Op. 37: III. Scherzo. Allegro giocoso (03:20)
14. Peter Donohoe – Sonata No. 2 in G Major, Op. 37: IV. Finale. Allegro vivace (06:54)
15. Peter Donohoe – Humoresque, Op. 10: No. 2 (02:47)
16. Peter Donohoe – Doumka, Op. 59 (08:20)

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Tchaikovsky’s contemporaries tell us that he was good enough to become a concert pianist, if he had chosen to follow that path. But he preferred to focus on composition, and rarely performed in public concerts. His interest in the piano is mainly to be found in his many pieces for the instrument, and since most of these were suitable for amateurs with solid skills, they sold well and played an important role in building up his fame. Despite this, some view Tchaikovsky’s solo piano works as poor quality. Peter Donohoe disagrees, insisting that all music requires performers to find the right approach, so he does not see Tchaikovsky as any kind of exception. He writes:”It is inexplicable to me that Tchaikovsky’s solo piano music should remain so infrequently performed, containing as it does all of the composer’s characteristic harmony, his wonderful melodic gift, his capacity for majestic gesture, magically beautiful moments, immense sadness, and passages of extreme excitement. His piano writing is often orchestral in texture, but also demonstrates the direct but very diverse pianistic influences of Liszt and Schumann, and incorporates in an almost naive way folk-style dance rhythms and melodies from Russia. This treasure trove is immensely rewarding to play, whether it be a small-scale salon piece such as the Humoresque Op. 10 No 2, or large in scale, such as is the gigantic Grand Sonata in G Major.”