Artist: Peter Donohoe
Album: Busoni: Toccata, BV 287, Elegien, BV 252, Sonatina No. 6, BV 284 & Toccata, Adagio & Fugue in C Major, BV B 29 No. 1
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:10:57
Total Tracks: 14
Total Size: 1,09 GB

Tracklist:

1. Peter Donohoe – I. Preludio. Quasi presto, arditamente (01:16)
10. Peter Donohoe – No. 7, Berceuse. An Johan Wijsman (03:49)
11. Peter Donohoe – Sonatina No. 6, BV 284 “Kammer-Fantasie über Carmen” (07:49)
12. Peter Donohoe – I. Toccata. Preludio, quasi improvvisando (07:02)
13. Peter Donohoe – II. Adagio. Intermezzo (05:01)
14. Peter Donohoe – III. Fuga. Moderatamente scherzando (04:42)
2. Peter Donohoe – II. Fantasia. Sostenuto, quasi adagio (05:47)
3. Peter Donohoe – III. Ciaccona. Allegro risoluto (03:30)
4. Peter Donohoe – No. 1, Nach der Wendung (04:28)
5. Peter Donohoe – No. 2, All’ Italia! In modo napolitano (07:34)
6. Peter Donohoe – No. 3, Meine Seele bangt und hofft zu Dir (07:37)
7. Peter Donohoe – No. 4, Turandots Frauengemach (03:20)
8. Peter Donohoe – No. 5, Die Nächtlichen. Walzer (03:01)
9. Peter Donohoe – No. 6, Erscheinung. Notturno (05:55)

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Peter Donohoe CBE studied at Chetham’s School of Music and Leeds University before going on to study at the Royal Northern College of Music with Derek Wyndham and in Paris with Olivier Messiaen and Yvonne Loriod. He is acclaimed as one of the foremost pianists of our time, for his musicianship, stylistic versatility, and commanding technique. He first came across the works of Busoni in the early 1980s and, as he states in his booklet note, “Busoni’s contribution to the musical history of the twentieth century is inestimable, and I feel very much enriched by the several decades of my exposure to it”.The programme he has chosen includes three of the pinnacles of Busoni’s virtuosic output: The Toccata, BV 287, the seven Elegien, and the Sonatina on Bizet’s Carmen, alongside the much earlier Bach transcription of which Peter Donohoe writes: “The Toccata, in particular, has always struck me as one of the most joyous pieces in the history of instrumental music, and Busoni’s transcription certainly brings out that joy”.

“Donohoe, always musically convincing, overcomes all technical challenges with apparent and disarming ease.” (Sunday Times)