Artist: Miriam Makeba
Album: The Voice Of Africa
Genre: Folk
Release Date: 1964/2016
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 28:13
Total Tracks: 12
Total Size: 601 MB

Tracklist:

1. Miriam Makeba – Nomthini (01:54)
2. Miriam Makeba – Willow Song (From “Othello”) (02:49)
3. Miriam Makeba – Langa More (02:18)
4. Miriam Makeba – Shihibolet (01:52)
5. Miriam Makeba – Tuson (02:00)
6. Miriam Makeba – Qhude (02:44)
7. Miriam Makeba – Mayibuye (02:50)
8. Miriam Makeba – Lovely Lies (02:45)
9. Miriam Makeba – Uyadela (02:32)
10. Miriam Makeba – Mamoriri (01:49)
11. Miriam Makeba – Le Fleuve (02:05)
12. Miriam Makeba – Come To Glory (02:30)

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Throughout her time as a concert singer in 1960s America Miriam Makeba was promoted as the embodied voice of a sonic, imagined Africa. Where her white audiences were attracted to the complete „otherness“ of her African blackness, her black American audiences saw themselves – or imagined versions of themselves – put on stage, and built solidarities between their own struggle and the struggle against apartheid.In this essay, I argue that the discourses that followed Makeba’s voice and body reflected the evolving attitudes of America towards Africa, and, through Africa, its contradictory relationship to its own African American citizens. Makeba played on these discourses to craft a political and musical identity in solidarity with black and diasporic causes. This identity, embodied in the persona of ‘‘Mama Africa,’’ allowed Makeba the flexibility to speak to and for her fellow (South) Africans with cultural authority. By joining the oft-opposed positions of „Africa“ and „The World,“ Makeba became what I’m calling an African Cosmopolitan.