Artist: Harry Belafonte, Miriam Makeba
Album: An Evening With Belafonte/Makeba
Genre: Pop
Release Date: 1965/2016
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 34:21
Total Tracks: 12
Total Size: 720 MB

Tracklist:

01. Harry Belafonte, Miriam Makeba – Train Song (Mbombela) (03:12)
02. Miriam Makeba – Kwazulu (In the Land of the Zulus) (02:33)
03. Harry Belafonte – Hush, Hush (Thula, Thula) (03:08)
04. Miriam Makeba – Nongqongqo (To Thos We Love) (02:20)
05. Harry Belafonte – Give Us Our Land (Mabayeke) (02:27)
06. Miriam Makeba – Beware, Verwoerd! (Ndodemnyama) (02:07)
07. Harry Belafonte – Gone Are My Children (Baile Banake) (02:51)
08. Miriam Makeba – Hurry, Mama, Hurry! (Khawuleza) (03:29)
09. Harry Belafonte, Miriam Makeba – My Angel (Malaika) (03:17)
10. Miriam Makeba – Cannon (Mbayi, Mbayi) (02:50)
11. Harry Belafonte – Lullaby (Thula Sthandwa Same) (02:48)
12. Harry Belafonte – Show Me The Way, My Brother (Iph’Indlela) (03:13)

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An Evening With Belafonte/Makeba is Harry Belafonte and Miriam Makeba’s 1965 Grammy Award-winning album for Best Folk Recording. The recording features five songs sung by Belafonte, five by Makeba and two duets with the two vocalists. An Evening With Belafonte/Makeba delves into the political plight South Africans were facing under apartheid.Since Harry Belafonte and Miriam Makeba had appeared together in concert frequently in the early ’60s, customers spying an LP called An Evening with Belafonte/Makeba might reasonably have assumed that the record would contain a joint live performance by the two, and that might help explain why this album charted in the Top 100 despite its challenging material. To begin with, it is not a live album, but rather a studio recording. And it isn’t so much a duo album, for the most part, as a joint album; Belafonte and Makeba perform together on only two tracks, “Train Song” and “Cannon.” Otherwise, they split up the selections, each appearing on five. The real point of this album is to present a group of South African songs in more or less authentic fashion. They are sung mostly in either Xhosa or Zulu, with one song in Sotho and another in Swahili. Despite the English song titles (with the original titles following in parenthesis), there is only one moment on the album when the English language is spoken; that is when Makeba explains the meaning of “Khawuleza” (the Xhosa title of “Hurry, Mama, Hurry!”) as referring to situations in which children alert their mothers that the authorities are coming. Both Belafonte and Makeba are frequently accompanied by a choir for some wonderful effects. This is a powerful album of traditional South African music, and anyone buying it realizing that will be well satisfied. Just don’t think the disc is what it appears to be from the title. ~~ AllMusic Review by William Ruhlmann