Berliner Philharmoniker, Herbert von Karajan – Strauss R. : Don Quixote – Horn Concerto No.2 (1988/2018) [FLAC 24 bit, 96 kHz]

Berliner Philharmoniker, Herbert von Karajan - Strauss R. : Don Quixote - Horn Concerto No.2 (1988/2018) [FLAC 24 bit, 96 kHz] Download

Artist: Berliner Philharmoniker, Herbert von Karajan
Album: Strauss R. : Don Quixote – Horn Concerto No.2
Genre: Classical
Release Date: 1988/2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:04:09
Total Tracks: 16
Total Size: 1,14 GB

Tracklist:

1-1. Pierre Fournier – 1. Introduktion (Mäßiges Zeitmaß) (06:42)
1-2. Pierre Fournier – 2. Don Quixote, der Ritter von der traurigen Gestalt – 3. Sancho Panza (02:18)
1-3. Pierre Fournier – 4. Variation 1 (Gemächlich) (02:43)
1-4. Pierre Fournier – 5. Variation 2 (Kriegerisch) (01:40)
1-5. Pierre Fournier – 6. Variation 3 (Mäßiges Zeitmaß) (08:32)
1-6. Pierre Fournier – 7. Variation 4 (Etwas breiter) (01:55)
1-7. Pierre Fournier – 8. Variation 5 (Sehr langsam) (04:12)
1-8. Pierre Fournier – 9. Variation 6 (Schnell) (01:13)
1-9. Pierre Fournier – 10. Variation 7 (Ein wenig ruhiger als vorher) (01:14)
1-10. Pierre Fournier – 11. Variation 8 (01:55)
1-11. Pierre Fournier – 12. Variation 9 (Schnell und stürmisch) (01:05)
1-12. Pierre Fournier – 13. Variation 10 (Viel breiter) (04:56)
1-13. Pierre Fournier – 14. Finale (Sehr ruhig) (05:46)
1-14. Norbert Hauptmann – I. Allegro (09:02)
1-15. Norbert Hauptmann – II. Andante con moto (05:36)
1-16. Norbert Hauptmann – III. Rondo. Allegro molto (05:14)

Download:

The best recording of Don Quixote I’ve ever heard, and this work has had some fine recordings. Karajan, always a superb Strauss conductor, shapes a coherent narrative such that one’s attention never flags. The conductor, orchestra, and recording combine to make the contributions of various instruments clear and telling. Indeed, the sound must be close to peerless. Especially noteworthy is the clear separation between orchestra and the two solo instruments, cello and violin. Often despite the best efforts of performers and engineers, those solos get lost in the orchestral sound. Not here. Such splendid perfomances as Kempe and Previn remain joys to listen to, Previn’s especially with rich, luscious sound. But no recording I’ve heard gets everything so right as this magnificent recording.

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