Artist: Berliner Philharmoniker, Herbert von Karajan
Album: Mozart, W.A.: Requiem In D Minor, K.626
Genre: Classical
Release Date: 1975/2015
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 53:12
Total Tracks: 14
Total Size: 954 MB

Tracklist:

01. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: I. Introitus: Requiem (chorus, soprano) (05:39)
02. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: II. Kyrie (chorus) (02:48)
03. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: III. Sequentia: No. 1 Dies irae (chorus) (01:51)
04. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: III. Sequentia: No. 2 Tuba mirum (soprano, contralto, tenor, bass) (04:13)
05. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: III. Sequentia: No. 3 Rex tremendae (chorus) (02:26)
06. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: III. Sequentia: No. 4 Recordare (soprano, contralto, tenor, bass) (05:18)
07. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: III. Sequentia: No. 5 Confutatis (chorus) (02:24)
08. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: III. Sequentia: No. 6 Lacrimosa (chorus) (03:20)
09. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: IV. Offertorium: No. 1 Domine Jesu (chorus, soprano, contralto, tenor, bass) (03:47)
10. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: IV. Offertorium: No. 2 Hostias (chorus) (04:29)
11. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: V. Sanctus (chorus) (01:45)
12. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: VI. Benedictus (chorus, soprano, contralto, tenor, bass) (05:16)
13. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: VII. Agnus Dei (chorus) (03:35)
14. Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, Jose van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan – Requiem In D Minor, K.626: VIII. Communio: Lux aeterna (chorus, soprano) (06:15)

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Herbert von Karajan’s 1975 Mozart Requiem is of the grand ceremonial type with large choral forces and full orchestra accompaniment–all of which sounds quite massive compared to more recent period-style performances–particularly Bruno Weil’s powerfully lean and incisive version on Sony (see Reviews Archive). The present recording’s spacious reverberation enhances the feeling of bigness, and with it the sense of occasion. Karajan’s tempos are on the slow side, especially by today’s standards, but he generates much anger and sonic power in the Dies Irae. But the tension flags considerably in the second half, where Süssmayr reportedly takes over (this recording uses the standard Süssmayr completion). However, there’s no lack of passion on the part of the singers, especially Jose van Dam, whose golden bass-baritone sounds so soothing in the Tuba Mirum. ~ Victor Carr Jr (classicstoday.com)Karajan is dutifully reverential in the coupled Mass in C, but even though he again gets fine choral and solo singing (and the recording is closer and brighter than the Requiem), the performance could do with a lighter, more joyful touch. Ultimately it comes down to whether you are a Karajan fan, in which case this recording does the job. For others, there are the recommended alternatives.