Romanian National Opera Orchestra – Livia Teodorescu-Ciocănea: Le rouge et le noir (Excerpts) (2021) [FLAC 24 bit, 44,1 kHz]

Romanian National Opera Orchestra - Livia Teodorescu-Ciocănea: Le rouge et le noir (Excerpts) (2021) [FLAC 24 bit, 44,1 kHz] Download

Artist: Romanian National Opera Orchestra
Album: Livia Teodorescu-Ciocănea: Le rouge et le noir (Excerpts)
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 01:15:36
Total Tracks: 21
Total Size: 720 MB

Tracklist:

1. Romanian National Opera Orchestra – Prologue (05:43)
2. Romanian National Opera Orchestra – Soldier’s March (01:37)
3. Romanian National Opera Orchestra – The Quarrel (01:56)
4. Romanian National Opera Orchestra – The Church (05:54)
5. Romanian National Opera Orchestra – The Meeting (05:36)
6. Romanian National Opera Orchestra – The Mayor’s House (06:32)
7. Romanian National Opera Orchestra – Vergy (08:18)
8. Romeo Cornelius – The Seminary at Besançon (06:07)
9. Romanian National Opera Orchestra – The Ball (05:11)
10. Romanian National Opera Orchestra – Seduction (03:18)
11. Romanian National Opera Orchestra – Alone (03:09)
12. Romanian National Opera Orchestra – Korasoff (01:43)
13. Romanian National Opera Orchestra – Passion Tango (03:16)
14. Romanian National Opera Orchestra – The Scandal (01:29)
15. Romanian National Opera Orchestra – The Letter (00:46)
16. Romanian National Opera Orchestra – The Bells [Carillon] (04:46)
17. Romanian National Opera Orchestra – The Prison (03:03)
18. Romanian National Opera Orchestra – The Judgement (00:57)
19. Mihaela Stanciu – Last Meeting (02:51)
20. Romanian National Opera Orchestra – The Execution (01:40)
21. Romanian National Opera Orchestra – The Death of Madame de Rênal (01:33)

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Le rouge et le noir, the pioneering psychological novel by Stendhal published in 1830, has had a number of adaptations on film but surprisingly few treatments in music. This three-act ballet, premiered in 2000, by the Romanian composer Livia Teodorescu-Ciocănea (bon 1959), rectifies that omission in the grand manner. The atmosphere is dark and passionate, as the novel requires, and the musical language reflects the remarkable tradition of Romanian modernism that emerged in the second half of the twentieth century from the music of Enescu – a distinctive soundworld that blends rich timbral colour with deep roots in Romanian folk-music.

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