Roman Zaslavsky – Ingenious Opposites, Vol. 2: Roman Zaslavsky plays works of Sergei Rachmaninov and Sergei Prokofiev (2013) [FLAC 24 bit, 96 kHz]

Roman Zaslavsky - Ingenious Opposites, Vol. 2: Roman Zaslavsky plays works of Sergei Rachmaninov and Sergei Prokofiev (2013) [FLAC 24 bit, 96 kHz] Download

Artist: Roman Zaslavsky
Album: Ingenious Opposites, Vol. 2: Roman Zaslavsky plays works of Sergei Rachmaninov and Sergei Prokofiev
Genre: Classical
Release Date: 2013
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:03:10
Total Tracks: 12
Total Size: 889 MB

Tracklist:

Sergei Rachmaninov (1873–1943)
3 Preludes
1. Op. 32, No. 12 in G-Sharp Minor – Allegro 02:40
2. Op. 23, No. 5 in G Minor – Alla marcia 03:48
3. Op. 32, No. 5 in G Major – Moderato 03:18
3 Études-Tableaux
4. Op. 39, No. 5 in E-Flat Minor – Appassionato 04:53
5. Op. 33, No. 8 in G Minor – Moderato 04:18
6. Op. 39, No. 9 in D Major – Allegro moderato 03:55
2 Moments Musicaux
7. Op. 16, No.3 in B minor – Andante cantabile 08:20
8. Op. 16, No.4 in E minor – Presto 03:16

Sergei Prokofiev (1891-1953)
9. Piano Sonata No. 3 in A Minor, Op. 28 08:22
Sonata No. 7, Op. 83 in B major
10. I. Allegro inquieto – Poco meno – Andantino 09:18
11. II. Andante caloroso – Poco piu animato – Piu largamente – Un poco agitato 07:18
12. III. Precipitato 03:44

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Roman Zaslavsky presents the artistic and historic context of two composers who left their indelible mark on the development of music in the 20th Century: Sergei Rachmaninov and Sergei Prokofiev, who where very different though being contemporaries. Prokofiev was open for the new, wanted to finish with Romanticism and turned towards Modernism, while Rachmaninov was rooted in Romantiscism and continued this tradition in his own way. Ingenious Opposites Vol. 2 is the second HD Audio production which is released by EuroArts. “This second production develops the theme further and picks up the thread where the first left off. Much as Schumann and Liszt left an indelible mark on the evolution of music in Germany, these two composers had a similar impact on composition and piano school in Russia, representing two distinctly different currents.”

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