![Richard Galliano, South Czech Philharmonic, Miran Vaupotic - Richard Galliano: Madreperla (2023) [FLAC 24 bit, 96 kHz] Download](https://i0.wp.com/imghd.xyz/images/2023/05/31/rqvaa2m33mdua_600.jpg?ssl=1)
Artist: Richard Galliano, South Czech Philharmonic, Miran Vaupotic
Album: Richard Galliano: Madreperla
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 52:44
Total Tracks: 15
Total Size: 1,00 GB
Tracklist:
1-01. Richard Galliano – Petite Suite Française: I. Prélude (01:36)
1-02. Richard Galliano – Petite Suite Française: II. Aubade (03:37)
1-03. Richard Galliano – Petite Suite Française: III. Espiègle (03:28)
1-04. Richard Galliano – Petite Suite Française: IV. Interlude (01:34)
1-05. Richard Galliano – Petite Suite Française: V. Waltz (02:19)
1-06. Richard Galliano – Contrastes: I. Milonga (03:22)
1-07. Richard Galliano – Contrastes: II. Lento (03:44)
1-08. Richard Galliano – Contrastes: III. Valse (02:45)
1-09. Richard Galliano – Contrastes: IV. Adagio (03:03)
1-10. Richard Galliano – Contrastes – V. Pavane (02:44)
1-11. Richard Galliano – Contrastes: VI. Fugue/Tango (01:41)
1-12. Richard Galliano – Contrastes: VII. Forro (02:44)
1-13. Richard Galliano – Madreperla: I. Tango Ostinato (07:12)
1-14. Richard Galliano – Madreperla: II. Balade mélancolique (06:48)
1-15. Richard Galliano – Madreperla: III. Mazurka Antillaise (05:59)
Download:
https://xubster.com/5j2s6itgrq6v/RichardGallian0S0uthCzechPhilharm0nicMiranVaup0ticRichardGallian0Madreperla20232496.part2.rar.html
The accordion surely is an evocative instrument, its mere timbre conjuring mellow images of the Italian Riviera or cobbled Parisian streets. One would expect it to be quite out of place in the relatively formal environment of the classical concert hall – and be sorely mistaken, as far as Richard Galliano is concerned. The versatile French composer and accordion virtuoso sets out to elegantly shatter expectations – and his new album Madreperla proves him right.Madreperla’s brilliance stems not only from the sheer audacity of juxtaposing the accordion with a full orchestra, nor from the fact that it succeeds spectacularly in doing so. What’s most intoxicating is Galliano’s fusion of symphonic writing with eclectic styles of dance – the pavane, the mazurka, the milonga, the forró, the waltz – whose particular zest, allure and élan pour forth torrentially from these compositions. A triumph.