Artist: Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing
Album: Guilty Pleasures
Genre: Classical
Release Date: 2013
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:02:37
Total Tracks: 17
Total Size: 1001 MB

Tracklist:

01. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Les nuits d’été, Op.7 – 1. Villanelle (02:11)
02. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Phidylé (06:03)
03. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Ombra di nube (03:31)
04. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Siete canciones populares españolas – 5. Nana (01:41)
05. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Siete canciones populares españolas – 6. Canción (01:09)
06. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Undina – Undina’s Aria (03:58)
07. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Sumerki (Twilight), Op.21, No.3 (02:18)
08. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Les Filles de Cadix (03:28)
09. Renée Fleming, Susan Graham, Philharmonia Orchestra, Sebastian Lang-Lessing – Lakmé / Act 1 – “Sous le dôme épais” (Flower Duet) (03:50)
10. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Chants d’Auvergne – 7. La Delaissado (05:31)
11. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Chants d’Auvergne – 13. Malurous qu’o uno Fenno (01:31)
12. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Armida – “Za Štíhlou Gazelou” (04:44)
13. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – The Kiss (Hubicka) – Opera in 2 Acts – Lullaby (04:08)
14. Renée Fleming, Janet Simpson, Philharmonia Orchestra, Sebastian Lang-Lessing – Walzer aus Wien – “Frag mich oft” (03:27)
15. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – Wesendonck Lieder – 5. Träume “Sag’, welch wunderbare Träume” (04:33)
16. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – The Ghosts of Versailles / Act II – “Once There Was A Golden Bird” (05:42)
17. Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing – “O Danny Boy” (04:45)

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“Guilty Pleasures” is the long-awaited follow-up to Renees Grammy winner The Beautiful Voice. This album allows Renee to indulge in musical cherry-picking, singing songs and arias in eight different languages. The sheer, unabashed beauty of these pieces provides their thematic connection. Ranging from familiar favorites like the Flower Duet from Lakme (sung with Renees friend Susan Graham) to rapturous, rarely-heard melodies of Tchaikovsky, Dvorak and Rachmaninov, Guilty Pleasures is a collection of treats Renee has long wanted to enjoy: an album of pure gratification. A special treat is an aria from John Coriglianos The Ghosts of Versailles, a twentieth-century American opera that allows Renee the chance to sing in her native language.The “guilty pleasures” referred to in the title of this release by American soprano Renée Fleming are Fleming’s own; they are small pieces that she has always wanted to record. Of course they require no apology at all. Even the familiar numbers, such as the Flower Duet from Délibes’ Lakmé (track 9, performed with Susan Graham), have the kind of freshness that seems impossible if you consider that Fleming has been singing them for decades. Actually some of the music is quite unusual for an orchestral-song-and-aria collection of this kind. Fleming sings in eight languages, including Occitan, and she has both the panache and the prestige to include such items as John Corigliano’s “Once there was a golden bird,” from The Ghosts of Versailles, and “Vendulka’s Lullaby” from Smetana’s rarely heard opera The Kiss. Fleming was 53 when this album was recorded, but it is mighty hard to identify any of the vocal maladies that begin to afflict sopranos of that age. Sample the chilling, silvery finale of Undine’s aria from Tchaikovsky’s early opera Undine, itself not terribly frequently performed, for confirmation. It is not only the creamy tones but the sense of fun and accomplishment that makes Fleming such a joy to listen to, and these qualities are on fully display here, ably encouraged by the Philharmonia Orchestra under Sebastian Lang-Lessing.