Artist: Ray Davies
Album: Our Country: Americana Act 2
Genre: Rock
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:01:14
Total Tracks: 19
Total Size: 1,29 GB

Tracklist:

1-01. Ray Davies – Our Country (03:14)
1-02. Ray Davies – The Invaders (02:29)
1-03. Ray Davies – Back In the Day (02:41)
1-04. Ray Davies – Oklahoma USA (04:11)
1-05. Ray Davies – Bringing Up Baby (03:10)
1-06. Ray Davies – The Getaway (05:24)
1-07. Ray Davies – The Take (04:59)
1-08. Ray Davies – We Will Get There (03:47)
1-09. Ray Davies – The Real World (03:40)
1-10. Ray Davies – A Street Called Hope (03:22)
1-11. Ray Davies – The Empty Room (03:20)
1-12. Ray Davies – Calling Home (02:36)
1-13. Ray Davies – Louisiana Sky (02:19)
1-14. Ray Davies – March of the Zombies (02:59)
1-15. Ray Davies – The Big Weird (03:35)
1-16. Ray Davies – Tony and Bob (01:10)
1-17. Ray Davies – The Big Guy (03:33)
1-18. Ray Davies – Epilogue (01:16)
1-19. Ray Davies – Muswell Kills (03:19)

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The continuing story of The Kinks co-founder’s journeys through America, as depicted in his 2013 memoir Americana and 2017’s album of the same name, ‘Our Country: Americana Act II’ is a concept album borne from Davies’ vision of America – how it shaped him and evolved through the years. Like its predecessor, the album was recorded at the legendary Konk Studios in London with guitarist Bill Shanley and The Jayhawks once again serving as Davies’ backing band.Sequels are not Ray Davies’ forte. Back in the 1970s, when he was in the thick of his theatrical aspirations, he expanded upon The Village Green Preservation Society with the muddled rock opera Preservation, whose downfall was a labored second act. Americana, the song cycle adaptation of Davies’ memoir of the same name, suffers the same pitfalls as its Preservation predecessor, with the singer/songwriter larding up Our Country with recitations, characters, allusions, and repetitions. All this extra stuff means Our Country plays very differently than its 2017 cousin Americana, even though it contains the same supporting cast — namely, the Jayhawks as a supporting band and Guy Massey and John Jackson as co-producers. Davies retains a casual chemistry with the Jayhawks, who help give this lengthy collection a handsome sheen. They move with a lazy, loping gait and can also crank up the energy when needed, as they do with the closing “Muswell Kills,” one of several explicit callbacks to the Kinks’ 1971 classic Muswell Hillbillies (the record’s “Oklahoma USA” is also revived). So, Our Country: Americana, Act 2 carries an attractive, burnished sound, which is what makes Davies’ lengthy digressions all the more maddening. Shoehorning text and theme from his book into the songs, the record frequently stumbles upon its own literary ambitions, along with clunky songs written in character. Davies still possesses a sharp eye and sly sense of humor, so Our Country has its moments, but they’re moments, not songs, and they’re overwhelmed by his clumsy dramatic pretensions, which are undone by his reluctance to tie his theatricality into an actual narrative. ~ Stephen Thomas Erlewine