Artist: Raphaël Imbert
Album: Music Is My Home: Act 1
Genre: Blues, Jazz
Release Date: 2016
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 01:05:31
Total Tracks: 15
Total Size: 671 MB

Tracklist:

01. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – MLK Blues (04:05)
02. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Black Atlantic  (03:18)
03. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – The Mighty Flood  (07:01)
04. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Going For Myself  (05:17)
05. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Weeping Willow Blues  (02:46)
06. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Please, Don’t Leave Me  (05:40)
07. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Make That Guitar Talk (05:24)
08. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – La Coulée Rodair  (03:12)
09. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Help Me Lord  (05:03)
10. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Sweat River Blues  (04:27)
11. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Music is my Home  (03:24)
12. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Just A Closer Walk With Thee  (03:07)
13. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Po Boy  (06:24)
14. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Going For Myself (radio edit) (Bonus Track) (03:33)
15. Raphaël Imbert, Anne Paceo, Big Ron Hunter and Leyla McCalla – Sweat River Blues (radio edit) (Bonus Track) (02:43)

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Along with iconic American musicians – Big Ron Hunter, Alabama Slim, Leyla McCalla, Sarah Quintana… and young French artists, mostly from Compagnie Nine Spirit, the saxophonist suddenly evolves into an ethno-musicologist, taking us on a journey to the American “Deep South”. With his unique understanding of groove, he takes us to the heart of Creole and the current state of our ever- evolving oral cultures. He also considers our links with blues, jazz and our roots in a playful and original adventure. He expresses personal experience and musical contacts in tune with this fertile musical ground. That is the full meaning of the improvised musical welcome brought up to date here in Music is My Home.A popular manifesto! “Jazz is the rule, blues is the tool and swing is the obvious thing!” At the outset, I had thought to use this precept as a slogan, “swing as the evidence”. But the literal English translation “evidence” seemed to have too much of a legal ring to it.

However, on reflection, “evidence” in its accepted English sense is also pertinent. Swing is evidence, proof of what is going on in American music styles, from Paul Robeson to Leonard Bernstein, via John Coltrane, Bill Monroe and Eminem. Musical styles which demonstrate the power of a musical revolution we call “jazz”, “blues” or “Americana”, and which, for two hundred years, have been shaking Western musical culture to its foundations. Shaking but not challenging. Jazz does not call into question the fundamentals of academic knowledge, neither at its beginnings nor at present. …