Artist: New Collegium
Album: Telemann: Chameleon
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:13:50
Total Tracks: 28
Total Size: 1,47 GB

Tracklist:

1-01. New Collegium – Prélude (04:53)
1-02. New Collegium – I. Largo (02:23)
1-03. New Collegium – II. Vivace (02:31)
1-04. New Collegium – III. Affettuoso (02:38)
1-05. New Collegium – IV. Allegro (02:51)
1-06. New Collegium – Menuet No. 17 in C Major, TWV 34:67 (01:11)
1-07. New Collegium – I. Vivace (05:12)
1-08. New Collegium – II. Adagio (03:20)
1-09. New Collegium – III. Allegro (03:41)
1-10. New Collegium – Menuet No. 38 in F Major, TWV 34:88 (01:06)
1-11. New Collegium – L’hiver, TWV 41:d1 (01:38)
1-12. New Collegium – Vîte (From Sinfonie à la françoise, TWV 41:h2) (01:09)
1-13. New Collegium – Largo (From Recorder Sonata, TWV 41:F2) (02:01)
1-14. New Collegium – Ouverture à la Polonoise (From Ouverture burlesque, TWV 32:2) (04:08)
1-15. New Collegium – Sans-Souci (From Suite for Oboe and Continuo, TWV 41:g4) (01:31)
1-16. New Collegium – Alla breve (From Sonata da chiesa, TWV 41:g5) (01:27)
1-17. New Collegium – Lento (From Cello Sonata, TWV 41:D6) (02:17)
1-18. New Collegium – Pastourelle, TWV 41:D5 (01:23)
1-19. New Collegium – Menuet No. 7 in A Minor, TWV 34:57 (01:16)
1-20. New Collegium – I. Affettuoso (02:47)
1-21. New Collegium – II. Vivace (01:44)
1-22. New Collegium – III. Aria (04:43)
1-23. New Collegium – A1: IV. Bourrée (03:01)
1-24. New Collegium – Menuet No. 48 in G Major, TWV 34:48 (01:15)
1-25. New Collegium – I. Allegro (02:12)
1-26. New Collegium – II. Adagio (02:07)
1-27. New Collegium – III. Allegro (04:24)
1-28. New Collegium – Modéré (04:50)

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No eighteenth-century composer was so adept at so many musical styles as Georg Philipp Telemann. Telemann’s versatility and inventiveness kept his musical style avant-garde during his entire life. He was not only praised by his contemporaries but was highly respected by the next generation: his fame was immense. Thererfore New Collegium, one of the promising ensembles of the younger generation, has chosen for their first studio recording on the Ramée label to show Telemann the chameleon, the breadth of his musical palette. Some of the pieces will undoubtedly sound familiar; others, such as the Italianate Trio for violin and cello obbligato, or the pastoral Trio for two violins in scordatura, will surely be delightful, new surprises for many. Coming in and out of disguise with Telemann’s chameleonic notes we often find ourselves wondering: is this truly music by just one composer, not six?