Artist: Netherlands Radio Philharmonic Orchestra, Vladimir Ashkenazy
Album: Respighi: Roman Trilogy
Genre: Classical
Release Date: 2005
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:02:56
Total Tracks: 3
Total Size: 1,23 GB

Tracklist:

Ottorino Respighi (1879-1936)
Roman Trilogy
1. Pini di Roma (The Pines of Rome), Symphonic Poem, P. 141 22:07
— I. The Pine-Trees of the Villa Borghese 2:36
— II. The Pine-Trees Near a Catacomb 7:05
— III. The Pine-Trees of the Janiculum 7:03
— IV. The Pine-Trees of the Appian Way 5:23
2. Fontane di Roma (The Fountains of Rome), Symphonic Poem, P. 106 16:40
— I. The Fountain of Valle Giulia at Dawn 4:30
— II. The Triton Fountain in the Morning 2:29
— III. The Fountain of Trevi at Midday 3:31
— IV. The Villa Medici Fountain at Sunset 6:10
3. Feste romane (Roman Festivals), Symphonic Poem, P. 157 24:04
— I. Circus Maximus 4:53
— II. The Jubilee 6:14
— III. The October Festival 7:58
— IV. The Epiphany 4:59

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19世紀後半ら20世紀半ばを生きたレスピーギ。この時代はちょうどオーケストラの規模が大きくなり様々な音楽表現が可能になった時期であり、レスピーギはこのローマ三部作「ローマの松」「ローマの噴水」「ローマの祭」でその才能を華麗なオーケストレーションで開花させた。世界のアシュケナージとオランダ放送フィルによる奇跡のコラボレーションシリーズ第1弾。名手ぞろいの管楽器群、とりわけ優れたブラス・セクションを有するオランダ放送フィルが、絢爛豪華、華麗勇壮なレスピーギを聴かせてくれるOf all Respighi’s vibrantly orchestrated works, the so-called Roman Trilogy — and in particular the Pines of Rome — is by far the best known and most frequently performed. Respighi was a keen observer of nature and his surroundings and translated these observations into highly evocative, descriptive tone poems. He was also rather taken by ancient music and instruments, and included glimpses of early music modes and even scored Pines for six “bucinae” (ancient Roman trumpets), though they are rarely used in modern performance. The present Exton recording features Vladimir Ashkenazy leading the Radio Filharmonisch Orkest Holland. Ashkenazy’s vision of the Roman Trilogy is not exceptionally different from many other recordings available. Apart from an occasional slower-than-expected choice of tempo is an enjoyably solid, straightforward performance. Some of the more exposed passages for the violins reveal a bit of an issue with intonation and ensemble, but this does not greatly detract from the generally polished performance. What does set this recording apart from others is its sound quality. If ever there was an orchestral piece that would benefit from multichannel playback, it’s Pines and the rest of the Trilogy. Listeners enjoying the five-channel DSD SACD layer will be immersed in sound as close to a live performance as could be expected. The robust, powerful brass playing surrounds you, and the deep, forceful organ entrances are enough to vibrate the walls. The sound quality on the standard two-channel track is still clear and rich, but lacks that special encompassing nature found only on the multichannel track. –AllMusic Review by Mike D. Brownell