Naima Joris – Tribute to Daniel Johnston (2022) [FLAC 24bit, 96 kHz]

Naima Joris - Tribute to Daniel Johnston (2022) [FLAC 24bit, 96 kHz] Download

Artist: Naima Joris
Album: Tribute to Daniel Johnston
Genre: Jazz
Release Date: 2022
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 32:09
Total Tracks: 7
Total Size: 599 MB

Tracklist:

1-01. Naima Joris – Cold Hard World (05:55)
1-02. Naima Joris – Poor You (04:40)
1-03. Naima Joris – Walking the Cow (03:55)
1-04. Naima Joris – Don’t Be Scared (02:59)
1-05. Naima Joris – Story Of An artist (03:27)
1-06. Naima Joris – Despair Came Knocking (08:38)
1-07. Naima Joris – True Love Will Find You In The End (02:31)

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Naima Joris only sang her first songs when she was 27. After several years of being a backing singer her father Chris Joris (a well-known Belgian jazz musician) encouraged her to further discover her own voice as a lead singer. She took ample time to give that voice its own repertoire and debuted in 2021 with a first untitled EP. A gripping and impressive journey through the most intimate depths of her heart. Five black-rimmed, intense songs that try to give a place to the pain and sadness of the loss of someone dear. Fragile and personal stories that touch a universal chord and from which we, as listeners, could draw comfort, understanding and strength.In recent years, Naima herself took a lot of comfort, courage and inspiration from the songs of Daniel Johnston. In anticipation of her debut album, she decided to tackle a number of songs by the regretted singer-songwriter. “I discovered Daniel Johnston through the documentary “The Devil and Daniel Johnston” sometime in 2009, when I rented a basement room in Brussels. I was singing back up with Isbells at the time when someone encouraged me to try writing my own songs. It was after seeing that famous documentary when I found the courage to do this. I saw how Daniel Johnston approached songwriting; in a very honest and pure way without embarrassment. The low-fi sound also suited my rather limited recording material. I didn’t write many songs, but as long as they were honest and sincere it was worth it. Like writing in a diary. I recorded the songs, put them in a folder and didn’t think I could really achieve anything with them. I mainly recorded covers, because I didn’t think my own songs were good enough. Why would I want to make songs myself when there are already so many amazing songs out there that perfectly express what I feel?”

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