Artist: Miles Davis
Album: Jazz Track (Mono version)
Genre: Jazz
Release Date: 1960/2013
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 46:44
Total Tracks: 13
Total Size: 443 MB

Tracklist:

1. Miles Davis Quintet – Générique (From “Ascenseur pour l’échafaud”) (02:46)
2. Miles Davis Quintet – L’assassinat de Carala (From “Ascenseur pour l’échafaud”) (02:09)
3. Miles Davis Quintet – Sur l’autoroute (From “Ascenseur pour l’échafaud”) (02:18)
4. Miles Davis Quintet – Julien dans l’ascenseur (From “Ascenseur pour l’échafaud”) (02:09)
5. Miles Davis Quintet – Florence sur les Champs-Elysées (From “Ascenseur pour l’échafaud”) (02:51)
6. Miles Davis Quintet – Diner au motel (From “Ascenseur pour l’échafaud”) (03:56)
7. Miles Davis Quintet – Evasion de Julien (From “Ascenseur pour l’échafaud”) (00:53)
8. Miles Davis Quintet – Visite du vigile (From “Ascenseur pour l’échafaud”) (02:05)
9. Miles Davis Quintet – Au bar du petit bac (From “Ascenseur pour l’échafaud”) (02:54)
10. Miles Davis Quintet – Chez le phonographe du motel (From “Ascenseur pour l’échafaud”) (03:55)
11. Miles Davis Quintet – On Green Dolphin Street (09:56)
12. Miles Davis Quintet – Fran-Dance (05:55)
13. Miles Davis Quintet – Stella By Starlight (04:51)

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Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker’s bebop quintet from 1945 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Miles Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival in 1955, he signed a long-term contract with Columbia Records and recorded the 1957 album ‘Round About Midnight. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959). The latter recording remains one of the most popular jazz albums of all time, having sold over five million copies in the U.S.