Martin Klett, Armida Quartett – FRANCK & MARTIN: Piano Quintets (2023) [FLAC 24 bit, 96 kHz]

Martin Klett, Armida Quartett - FRANCK & MARTIN: Piano Quintets (2023) [FLAC 24 bit, 96 kHz] Download

Artist: Martin Klett, Armida Quartett
Album: FRANCK & MARTIN: Piano Quintets
Genre: Classical
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 57:58
Total Tracks: 7
Total Size: 993 MB

Tracklist:

1-1. Martin Klett – I. Andante con moto (05:52)
1-2. Martin Klett – II. Tempo di minuetto (05:11)
1-3. Martin Klett – III. Adagio ma non troppo (07:28)
1-4. Martin Klett – IV. Presto (05:05)
1-5. Martin Klett – I. Molto moderato quasi lento (15:10)
1-6. Martin Klett – II. Lento, con molto sentimento (09:53)
1-7. Martin Klett – III. Allegro con troppo, ma non fuoco (09:16)

Download:

Martin Klett together with the Armida Quartett perform late Romantic Piano Quintets by Cesar Franck and Frank Martin.

We only have two hands, and our ten fingers are not capable of exploiting all the possibilities”: that is how composer Frank Martin (1890-1974) once described the inadequacies of the keyboard.

However, pianist Martin Klett and the members of the Armida Quartet view things somewhat differently.

Similarly to the string quartet as a whole ensemble, the piano forms “a perfect unit in itself”, Klett affirms.

And the musical genre of the piano quintet has its own special charm, owing to that autonomy and independence of its two main elements.According to Klett, the piano quintet is “the perfect line-up in chamber music”, since “the two components have a wide spectrum of sonorities at their disposal, enabling them to bring out all the timbre qualities we know from chamber as well as orchestral music, from the most intimate sonorities imaginable to the dense amassment of sound we encounter in a symphony!” The five musicians on this recording savor every nuance of the line-up in which they are involved; in so doing, they are able to highlight the two highly different musical personalities of Frank Martin and Cesar Franck (1822-1890), each of whom approached the genre from thoroughly different angles.

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