Artist: Mario Brunello, Roberto Loreggian, Francesco Galligioni
Album: Bach: Sei suonate à cembalo certato è violoncello piccolo solo
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:37:54
Total Tracks: 25
Total Size: 1,92 GB

Tracklist:

01. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 1 in B Minor BWV 1014: I. Adagio (03:20)
02. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 1 in B Minor BWV 1014: II. Allegro (02:58)
03. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 1 in B Minor BWV 1014: III. Andante (03:20)
04. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 1 in B Minor BWV 1014: IV. Allegro (03:30)
05. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 2 in A Major BWV 1015: I. Dolce (04:03)
06. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 2 in A Major BWV 1015: II. Allegro assai (03:29)
07. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 2 in A Major BWV 1015: III. Andante un poco (02:48)
08. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 2 in A Major BWV 1015: IV. Presto (05:13)
09. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 3 in E Major BWV 1016: I. Adagio (04:19)
10. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 3 in E Major BWV 1016: II. Allegro (03:07)
11. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 3 in E Major BWV 1016: III. Adagio ma non tanto (05:17)
12. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 3 in E Major BWV 1016: IV. Allegro (04:17)
13. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 4 in C Minor BWV 1017: I. Largo (04:39)
14. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 4 in C Minor BWV 1017: II. Allegro (04:32)
15. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 4 in C Minor BWV 1017: III. Adagio (03:06)
16. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 4 in C Minor BWV 1017: IV. Allegro (04:46)
17. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 5 in F Minor BWV 1018: I. [Lamento] (07:10)
18. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 5 in F Minor BWV 1018: II. Allegro (04:53)
19. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 5 in F Minor BWV 1018: III. Adagio (02:51)
20. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 5 in F Minor BWV 1018: IV. Vivace (02:33)
21. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 6 in G Major BWV 1019: I. Allegro (03:39)
22. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 6 in G Major BWV 1019: II. Largo (02:08)
23. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 6 in G Major BWV 1019: III. Allegro (05:09)
24. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 6 in G Major BWV 1019: IV. Adagio (02:52)
25. Mario Brunello, Roberto Loreggian, Francesco Galligioni – Bach: Sonata No. 6 in G Major BWV 1019: V. Allegro (03:44)

Download:

After mastering the Sonatas and Partitas, Mario Brunello continues his trilogy devoted to reinterpreting Bach’s violin masterpieces on the violoncello piccolo. In this second volume he tackles the other great collection, the Sei Suonate a cembalo certato e violino solo (Six sonatas for concertato harpsichord and solo violin). Conceived in three parts, like sonatas for two treble instruments and continuo, these famous pieces appear transfigured here in a kaleidoscope of colours in which the violoncello piccolo intertwines with the keyboard, alternately harpsichord and organ, and with the bass doubled in turn by viola da gamba and cello – an accompaniment specifically suggested by one of the surviving copies of the sonatas. “A reinterpretation with an amber hue, in search of the intimate and human characteristics that are revealed almost unexpectedly in the slow movements and the expressiveness of the fugato themes in the fast movements, where Bach shows unparalleled virtuosity in distributing the voices”.