Artist: Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge
Album: Bellini: Beatrice di Tenda
Genre: Classical
Release Date: 1966/2013
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 02:27:46
Total Tracks: 26
Total Size: 2,90 GB
Tracklist:
01. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Preludio (02:58)
02. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Tu, signor! lasciar si presto” (05:00)
03. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Ah! non pensar che pieno” (09:24)
04. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Silenzio e notte intorno” (05:00)
05. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Si: rivale … rivale regnante” (06:58)
06. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Respiro io qui” (07:29)
07. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Ma la sola, ahime! son io” (03:50)
08. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Ah! la pena in lor piombo” (03:55)
09. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Vedi? … La tua presenza fugge sdegnosa” (02:49)
10. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “E quali? quali? spergiura! ingrata!” (04:47)
11. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Qui di ribelli sudditi” (06:16)
12. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Lo vedeste?” (05:29)
13. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Il mio dolore e l’ira” (10:20)
14. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Parti … Deh! perdona … Fuggi … parti” (01:34)
15. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 1 – “Ah! tal onta io meritai” (08:00)
16. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – Introduzione … “Lassa! e puo il ciel” (06:37)
17. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “Omai del suo destino” (03:17)
18. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “O troppo a mie preghiere” (06:48)
19. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “Orombello! – Oh! voce! e dessa!” (03:45)
20. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “Al tuo fallo ammenda festi generosa” (09:01)
21. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “Filippo! Tu! … ti appressa” (02:08)
22. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “Rimorso in lei?” (04:39)
23. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “Qui m’accolse oppresso” (06:11)
24. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “Prega! Ah! no, non sia la misera” (02:59)
25. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “Nulla io dissi … Di sovrumana forza” (10:52)
26. Luciano Pavarotti, Joan Sutherland, Josephine Veasey, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge – Act 2 – “Ah! se un’urna e a me concessa” (07:30)
Download:
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https://xubster.com/x6t9hfn619ex/BelliniBeatricediTendaLucian0Pavar0ttiJ0anSutherlandLS0RichardB0nynge19669624.part3.rar.html
„Bellini’s penultimate opera – written for La Fenice, Venice, in 1833 – has never enjoyed the popularity of such works as La sonnambula, Norma and I puritani. Listening to this vintage Joan Sutherland recording dating from 1966, it is hard to fathom why. The story is strong and stirring – a sort of cross between Maria Stuarda and La Gioconda – and offers fine roles for the wronged titular heroine, her villainous husband Filippo, her platonic admirer Orombello and his would-be mistress, Agnese del Maino (a Princess Eboli avant la lettre). How odd that Sutherland never managed to persuade Covent Garden to mount it for her, especially with this glorious cast. The Decca set is historic because it offered the legendary Sutherland/Pavarotti collaboration for the first time on disc. Luciano is wonderfully stylish here, elegant and ringing: Nureyev, vocally-speaking, to Sutherland’s Fonteyn. La Stupenda was going through one of her ‘moony’, muddy-diction phases, but the vocalism is quite dazzling. It’s a joy to encounter Josephine Veasey in her only commercially recorded Italian role: velvet-toned, shining, she is Sutherland’s most lustrous mezzo rival in any bel canto recording. More recent recordings include a Rizzoli set – Mariana Nicolescu in the title role – and a brand new one starring Edita Gruberova on the ominously named Nightingale label, which I have not yet heard.“ –Hugh Canning, BBC Music Magazine