Louis Jordan – Reet Petite And Gone (Live) (2022) [FLAC 24 bit, 44,1 kHz]

Louis Jordan - Reet Petite And Gone (Live) (2022) [FLAC 24 bit, 44,1 kHz] Download

Artist: Louis Jordan
Album: Reet Petite And Gone (Live)
Genre: Jazz
Release Date: 2022
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 41:12
Total Tracks: 14
Total Size: 358 MB


1-01. Louis Jordan – Five Guys Named Moe (Live) (03:01)
1-02. Louis Jordan – Reet Petite and Gone (Live) (02:31)
1-03. Louis Jordan – Choo Choo Ch’boogie (Live) (02:26)
1-04. Louis Jordan – Let’s The Good Times Roll (Live) (02:40)
1-05. Louis Jordan – Daddy-O (Live) (02:45)
1-06. Louis Jordan – On The Sunny Side Of The Street (Live) (02:36)
1-07. Louis Jordan – Wham Sam (Live) (02:34)
1-08. Louis Jordan – Don’t Burn the Candle at Both Ends (Live) (02:36)
1-09. Louis Jordan – Down Down Down (Live) (02:56)
1-10. Louis Jordan – I Know What You’re Putting Down (Live) (02:57)
1-11. Louis Jordan – Honey Chile (Live) (02:34)
1-12. Louis Jordan – Knock Me A Kiss (Live) (04:27)
1-13. Louis Jordan – Broke But Happy (Live) (04:12)
1-14. Louis Jordan – Please Don’t Cry and Say No (Live) (02:50)


Louis Thomas Jordan[a] (July 8, 1908 – February 4, 1975) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as “the King of the Jukebox”, he earned his highest profile towards the end of the swing era. He was inducted into the Rock and Roll Hall of Fame as an “early influence” in 1987.Specializing in the alto sax, Jordan played all forms of the saxophone, as well as piano and clarinet. He also was a talented singer with great comedic flair, and fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a film personality—he appeared in dozens of “soundies” (promotional film clips) He also made numerous cameos in mainstream features and short films, and starred in two musical feature films made especially for him.

Jordan began his career in big-band swing jazz in the 1930s, but he became known as an innovative popularizer of jump blues, a swinging, up-tempo, dance-oriented hybrid of jazz, blues and boogie-woogie. Typically performed by smaller bands consisting of five or six players, jump music featured shouted, highly syncopated vocals and earthy, comedic lyrics on contemporary urban themes. It strongly emphasized the rhythm section of piano, bass and drums; after the mid-1940s, this mix was often augmented by electric guitar. Jordan’s band also pioneered the use of the electronic organ.

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