Artist: Leonidas Kavakos
Album: Beethoven: Violin Concerto, Op. 61, Septet, Op. 20 & Variations on Folk Songs, Op. 105 & 107
Genre: Classical
Release Date: 2019
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:53:46
Total Tracks: 14
Total Size: 1,95 GB

Tracklist:

1. Leonidas Kavakos – Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo (27:27)
2. Leonidas Kavakos – Violin Concerto in D Major, Op. 61: II. Larghetto (11:31)
3. Leonidas Kavakos – Violin Concerto in D Major, Op. 61: III. Rondo – Allegro (10:28)
4. Leonidas Kavakos – Septet in E-Flat Major, Op. 20: I. Adagio – Allegro con brio (09:55)
5. Leonidas Kavakos – Septet in E-Flat Major, Op. 20: II. Adagio cantabile (09:01)
6. Leonidas Kavakos – Septet in E-Flat Major, Op. 20: III. Tempo di menuetto (03:14)
7. Leonidas Kavakos – Septet in E-Flat Major, Op. 20: IV. Tema con variazioni. Andante (07:33)
8. Leonidas Kavakos – Septet in E-Flat Major, Op. 20: V. Scherzo – Allegro molto e vivace (03:19)
9. Leonidas Kavakos – Septet in E-Flat Major, Op. 20: VI. Andante con moto alla marcia – Presto (07:55)
10. Leonidas Kavakos – Variations on Folk Song, Op. 105: No. 3, A Schüsserl und a Reindl (05:52)
11. Leonidas Kavakos – Variations on Folk Song, Op. 107: No. 1, I bin a Tiroler Bua (04:57)
12. Leonidas Kavakos – Variations on Folk Song, Op. 107: No. 2, Bonny Laddie, Highland Laddie (02:40)
13. Leonidas Kavakos – Variations on Folk Song, Op. 107: No. 6, Peggy’s Daughter (03:53)
14. Leonidas Kavakos – Variations on Folk Song, Op. 107: No. 7, Schöne Minka (05:54)

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The violinist Leonidas Kavakos has many strings to his bow: an acclaimed soloist, he conducts orchestras – his first love – and is a chamber musician. This double album bears witness to the skills of this musical polymath who knows his Beethoven. He functions here both as soloist and conductor of the Bavarian Radio Symphony Orchestra, which boasts over 60 musicians. In line with the practices of the composer’s lifetime, this choice highlights the “egalitarian” style of the concerto’s writing. While a virtuoso piece for sure, this score is more than just a pedestal for the soloist: the latter works closely with their peers, and shares every theme with them. Leonidas Kavakos gives a magisterial performance at the head of this impressive orchestra and brings forth some sumptuous nuances from the players, commanding their sustained and close attention.Heir to Viennese Classicism, Beethoven opened the way to the Concertos of Brahms or Sibelius, in which the solo violin often accompanies the orchestra with acrobatic embellishments. As agile as he was at the start of his career, the soloist doesn’t perform Kreisler’s famous cadence, but rather brings to life what Beethoven published for piano. This moment of complicity with the orchestra continues in camera in the Septet, Op. 20, the first score of the kind, in which the musicians sound like a small orchestra; and then finally in the 6 National Airs with Variations, Op. 105 for piano and flute (or violin ad libitum). Commissioned by a Scottish publisher when Beethoven was composing his Ninth Symphony, these miniatures for amateurs sound just as fresh as their dancing melodies. A very fine record which shows Beethoven in a less stormy light than usual. – Elsa Siffert