Artist: La Rêveuse, Benjamin Perrot
Album: Dietrich Buxtehude: Sonates en trio – Manuscrits d’Uppsala
Genre: Classical, Baroque Era
Release Date: 2017
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:09:23
Total Tracks: 30
Total Size: 1,28 GB

Tracklist:

Dieterich Buxtehude (1637 – 1707)
01. Sonata in A-Moll, BuxWV 272: I. [Allegro]
02. Sonata in A-Moll, BuxWV 272: II. Adagio
03. Sonata in A-Moll, BuxWV 272: III. [Passacaglia]

Dietrich Becker (1623 – 1679)
04. Sonata & Suite in D-Dur: I. Adagio
05. Sonata & Suite in D-Dur: II. Lento [Ciacona]
06. Sonata & Suite in D-Dur: III. Adagio piano
07. Sonata & Suite in D-Dur: IV. [Solo-Andante]
08. Sonata & Suite in D-Dur: V. [Allegro]-Adagio
09. Sonata & Suite in D-Dur: VI. Allmandt
10. Sonata & Suite in D-Dur: VII. Courant
11. Sonata & Suite in D-Dur: VIII. Sarabande
12. Sonata & Suite in D-Dur: IX. Gigue

Anonymous
13. Violadagamba Solo in D-Moll: I. Sonata
14. Violadagamba Solo in D-Moll: II. [Passacaglia-Adagio]

Dieterich Buxtehude (1637 – 1707)
15. Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento
16. Sonata III in G-Moll, Op. 2, BuxWV 261: II. Allegro. Lento
17. Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia]
18. Sonata III in G-Moll, Op. 2, BuxWV 261: IV. Grave
19. Sonata III in G-Moll, Op. 2, BuxWV 261: V. Gigue
20. Sonata in D-Dur, BuxWV 267: I. Adagio
21. Sonata in D-Dur, BuxWV 267: II. Allegro
22. Sonata in D-Dur, BuxWV 267: III. Adagio
23. Sonata in D-Dur, BuxWV 267: IV. Solo-Allegro-Allegro-Presto
24. Sonata in D-Dur, BuxWV 267: V. Poco presto
25. Sonata & Suite in B-Dur, BuxWV 273: I. [Allegro]
26. Sonata & Suite in B-Dur, BuxWV 273: II. Adagio-Allegro-Poco adagio-Allegro
27. Sonata & Suite in B-Dur, BuxWV 273: III. Allemand
28. Sonata & Suite in B-Dur, BuxWV 273: IV. Courant
29. Sonata & Suite in B-Dur, BuxWV 273: V. Saraband
30. Sonata & Suite in B-Dur, BuxWV 273: VI. Gigue

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Dietrich Buxtehude was a key figure of the north German instrumental repertory for violin and viol. It was he who firmly established the prestige of the German trio sonata by introducing into it the stylus phantasticus, that highly contrasted and dramatic instrumental language in which imagination and virtuosity reign supreme.