Artist: Jungle
Album: For Ever
Genre: Electronic
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 45:59
Total Tracks: 13
Total Size: 960 MB

Tracklist:

1-01. Jungle – Smile (03:07)
1-02. Jungle – Heavy, California (03:04)
1-03. Jungle – Beat 54 (All Good Now) (04:06)
1-04. Jungle – Cherry (03:16)
1-05. Jungle – Happy Man (03:11)
1-06. Jungle – Casio (03:54)
1-07. Jungle – Mama Oh No (03:17)
1-08. Jungle – House in LA (04:43)
1-09. Jungle – Give Over (03:33)
1-10. Jungle – Cosurmyne (03:39)
1-11. Jungle – Home (02:12)
1-12. Jungle – (More and More) It Ain’t Easy (03:11)
1-13. Jungle – Pray (04:40)

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“Our first album was this imagined world that we created for ourselves,” Josh Lloyd-Watson tells Apple Music. “It was lyrically vague and metaphorical. This album definitely deals with things that have actually happened to us.” There’s been rich content to mine for Lloyd-Watson and Jungle co-founder Tom McFarland since their 2013 emergence. The pair’s modern soul collective swiftly went from viral curiosity to legit chart heavyweights—then absentee stars with their follow-up taking four years to materialize. “We were so keen to write the second record,” McFarland says, “but we were completely unaware of that first period that needs to happen: You actually need something to write about. We didn’t have the experience. We had to go out and live. Touring is not really experience.”The stately “House in LA” knowingly nods to the album’s generous gestation period (“Two whole years on the rewrite/Tell my friends I’m gonna be right there”), and the music here is tangibly more personal and lived-in. “It’s a healing record for both of us,” says McFarland, and it reflects their experiences while living and working in Los Angeles. “I met somebody outside the Hollywood Bowl one day—you fall in love with somebody and get drawn to that area. It could’ve been anywhere and it just happened to be California, which is great because it’s sunny.” Their gilded, could-soundtrack-any-premium-TV-ad soul remains, but there’s an appealing vulnerability here, and a recognition that the world has changed since their last album.

“You’ve got to trust your taste ultimately,” Lloyd-Watson says. “We might be completely out of vogue and people might say, ‘Oh, that midtempo funk band’s back with another album.’ And that’s fine.” McFarland is similarly unflustered. “I think there’s a lot of honesty on the record and a lot of beauty—beauty that’s broken. It was painful to put on the record, and somebody will get it. Somebody, somewhere, in some country.”