Artist: Jonatan Alvarado, Jessica Denys
Album: Voces de Bronce
Genre: World, Tango
Release Date: 2023
Audio Format:: FLAC (tracks) 24 bit, 192 kHz
Duration: 01:01:19
Total Tracks: 22
Total Size: 2,09 GB

Tracklist:

1. Jonatan Alvarado & Jessica Denys – Amargura (‘El Floridense’)
2. Jonatan Alvarado & Jessica Denys – En vano, en vano…!
3. Jonatan Alvarado & Jessica Denys – Estilo criollo, Op.8 No.4
4. Jonatan Alvarado & Jessica Denys – Gorjeos (‘La Mariposa’)
5. Jonatan Alvarado & Jessica Denys – Entre colores
6. Jonatan Alvarado & Jessica Denys – Canción agreste (‘El Milongón’)
7. Jonatan Alvarado & Jessica Denys – El pañuelo de seda
8. Jonatan Alvarado & Jessica Denys – El alma del payador
9. Jonatan Alvarado & Jessica Denys – El sueño
10. Jonatan Alvarado & Jessica Denys – La vida del carretero
11. Jonatan Alvarado & Jessica Denys – La cordobesa
12. Jonatan Alvarado & Jessica Denys – Aires criollos No.2: I. La porteñita (Zamba)
13. Jonatan Alvarado & Jessica Denys – Aires criollos No.2: II. Recuerdos (Estilo clásico)
14. Jonatan Alvarado & Jessica Denys – Vidalita (‘Flor Marchita’)
15. Jonatan Alvarado & Jessica Denys – Claveles mendocinos
16. Jonatan Alvarado & Jessica Denys – Chinita linda
17. Jonatan Alvarado & Jessica Denys – El Pericón
18. Jonatan Alvarado & Jessica Denys – El gato
19. Jonatan Alvarado & Jessica Denys – El triunfo
20. Jonatan Alvarado & Jessica Denys – Un bailongo (Milonga)
21. Jonatan Alvarado & Jessica Denys – Joaquina (Tango)
22. Jonatan Alvarado & Jessica Denys – Mi noche triste (Tango-canción)

Download:

The first time I heard Carlos Gardel was in my maternal grandmother’s voice. She enjoyed singing, and used her beautiful, light soprano voice mostly to entertain herself while doing chores. From her I learned “Soledad”, one of Gardel’s most famous tangos which we kept calling “our song” throughout her life. On my father’s side, my grandparents were recognized tango dancers, a regular presence in the local and regional milongas and dance competitions. They heard every tango orchestra and singer worth their salt from the late 40’s to the 60’s, and, later in their lives, they would become members of different tango appreciation societies as the genre became less socially relevant.Gardel was an unavoidable figure in my life, and the love of tango, one of the most valued parts of my family inheritance. I even became, at 8 years of age, the youngest audience member when the Mercedes Gardel Society hosted a projection of Gardel’s movie “Mi Buenos Aires Querido” in the local library. Yet my personal connection with Gardel and his tango has always been somewhat indirect: a profound but distant fascination but never an active engagement. The subjects of its lyrics, the music’s general spirit, and the sensibility which informs it has always seemed foreign to me. A sensation which the arbitrary distinction between the tango cosmopolitanism and the folklore’s rustic characterization – too prevalent even today in Argentina — would only deepen.

I felt as though I needed to choose between one or the other. I therefore decided on the music closest to my experience, which admittedly had little to do with amorous conquests or the existential anguish of the valiant Buenos Aires’ men. Eventually I moved to Europe and kept my musical heritage for myself while exploring those of the Iberian Middle Ages, as well as the Renaissance and Early Baroque periods of the Ibero-American empires. Through them I developed my own musical method to bring together historical sources into convincing musical performances.