James Taylor – In The Pocket (1976/2013) [FLAC 24 bit, 96 kHz]

James Taylor - In The Pocket (1976/2013) [FLAC 24 bit, 96 kHz] Download

Artist: James Taylor
Album: In The Pocket
Genre: Pop
Release Date: 1976/2013
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 45:01
Total Tracks: 13
Total Size: 921 MB

Tracklist:

1-1. James Taylor – Shower The People (04:35)
1-2. James Taylor – A Junkie’s Lament (03:31)
1-3. James Taylor – Money Machine (04:36)
1-4. James Taylor – Slow Burning Love (03:44)
1-5. James Taylor – Everybody Has The Blues (02:03)
1-6. James Taylor – Daddy’s All Gone (03:37)
1-7. James Taylor – Woman’s Gotta Have It (04:20)
1-8. James Taylor – Captain Jim’s Drunken Dream (04:04)
1-9. James Taylor – Don’t Be Sad ‘Cause Your Sun Is Down (03:29)
1-10. James Taylor – Nothing Like A Hundred Miles (03:43)
1-11. James Taylor – Family Man (03:39)
1-12. James Taylor – Golden Moments (03:36)

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In The Pocket is one of James Taylor’s most acclaimed recordings. His final release for Warner Bros. Records features appearances by Art Garfunkel, Carly Simon, Stevie Wonder, David Crosby, Linda Ronstadt, Bonnie Raitt, Leland Sklar, Graham Nash, Milt Holland, David Grisman, among others. Reaching the Billboard Top Twenty, the album includes the chart-topping hit, “Shower The People.” This Gold-certified masterpiece is essential for any music lover’s library.James Taylor’s seventh album and last new recording for Warner Bros. is notable for producing his biggest self-written hit in four years, “Shower the People” (number 22 pop, number one easy listening). Bobby Womack’s “Woman’s Gotta Have It” was the album’s only cover, and elsewhere Taylor took on a surprisingly rough set of issues in his typically gentle style, including “A Junkie’s Lament” and “Money Machine.” There were also reflections on being a “Family Man” even if, due to his peripatetic touring life, “Daddy’s All Gone.” Guest stars included Art Garfunkel, who harmonized on “Captain Jim’s Drunken Dream,” and Stevie Wonder, who co-wrote and played harmonica on “Don’t Be Sad ‘Cause Your Sun Is Down.” On the whole, a respectable effort for an artist who was evolving into more of a craftsman than a virtuoso.

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