Artist: Herbie Hancock
Album: Mr. Hands
Genre: Jazz
Release Date: 1980/2014
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 39:57
Total Tracks: 6
Total Size: 845 MB

Tracklist:

01. Herbie Hancock – Spiraling Prism (06:25)
02. Herbie Hancock – Calypso (06:45)
03. Herbie Hancock – Just Around the Corner (07:36)
04. Herbie Hancock – 4 A.M. (05:23)
05. Herbie Hancock – Shiftless Shuffle (07:10)
06. Herbie Hancock – Textures (06:37)

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Recorded in 1980 at The Automatt (#1-2, 4, 6), (San Francisco); Filmways/Heider Recording (#5), (San Francisco); The Village Recorder (#3), (Los Angeles).

Mr. Hands was originally released in 1980 and is Herbie Hancock’s thirtieth album. It was one of the last albums on which Hancock played more “straight” electric jazz before moving on to focus more on R&B influences. The track “4 A.M.” features the late great bassist Jaco Pastorius.Herbie Hancock’s lackluster string of electric albums around this period was enhanced by this one shining exception: an incorrigibly eclectic record that flits freely all over the spectrum. Using several different rhythm sections, Herbie Hancock is much more the imaginative hands-on player than at any time since the prime Headhunters period, overdubbing lots of parts from his ever-growing collection of keyboards. He has regained a good deal of his ability to ride in the groove. “Calypso” finds him playing synthesized steel drums and interacting with customary complexity and ebullience with V.S.O.P. mates Tony Williams and Ron Carter. Disco rears its head, but inventively this time on “Just Around the Corner,” and in league with Jaco Pastorius’ vibrating, interlacing bass, Hancock gets off some good, updated jazz-funk on “Spiraling Prism” and “4 AM.” There is even a reunion of the original Headhunters on a rhythmically tangled remake of “Shiftless Shuffle”; drummer Harvey Mason sounds like a rhythm machine gone bonkers. Easily the outstanding track — and one of Hancock’s most haunting meditations — is “Textures,” where he plays all of the instruments himself. This would be the last outcropping of electronic delicacy from Hancock for some time, and it was mostly — and unjustly — overlooked when it came out.