Artist: Hawkwind
Album: The Space Ritual Alive (Original Master)
Genre: Rock
Release Date: 1973/2015
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:28:35
Total Tracks: 17
Total Size: 1,85 GB

Tracklist:

1-1. Hawkwind – Earth Calling (01:43)
1-2. Hawkwind – Born To Go (09:55)
1-3. Hawkwind – Down Through The Night (06:15)
1-4. Hawkwind – The Awakening (01:45)
1-5. Hawkwind – Lord Of Light (07:25)
1-6. Hawkwind – Black Corridor (01:50)
1-7. Hawkwind – Space Is Deep (08:14)
1-8. Hawkwind – Electronic No 1 (02:39)
2-1. Hawkwind – Orgone Accumulator (10:00)
2-2. Hawkwind – Upside Down (02:43)
2-3. Hawkwind – 10 Seconds Of Forever (02:05)
2-4. Hawkwind – Brainstorm (09:21)
2-5. Hawkwind – Seven By Seven (06:11)
2-6. Hawkwind – Sonic Attack (02:53)
2-7. Hawkwind – Time We Left This World Today (05:42)
2-8. Hawkwind – Master Of The Universe (07:39)
2-9. Hawkwind – Welcome To The Future (02:06)

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“The Space Ritual Alive in Liverpool and London” is a 1973 live double album recorded in 1972 by UK rock band Hawkwind. It is their fourth album, reached #9 in the UK album charts and briefly dented the Billboard Top 200, peaking at #179. The album was recorded during the tour to promote their Doremi Fasol Latido album, which comprises the bulk of this set. In addition, there are new tracks (“Born To Go”, “Upside Down” and “Orgone Accumulator”) and the songs are interspersed by electronic and spoken pieces making this one continuous performance. Their recent hit single “Silver Machine” was excluded from the set, and only “Master of the Universe” remains from their first two albums.Recorded live in December 1972 and released the following year, Space Ritual is an excellent document of Hawkwind’s classic lineup, underscoring the group’s status as space rock pioneers. As the quintessential “people’s band,” Hawkwind carried ’60s countercultural idealism into the ’70s, gigging constantly, playing wherever there was an audience, and even playing for free on five consecutive days outside the 1970 Isle of Wight Festival. The band’s multimedia performances were the perfect accompaniment for exploring inner space and imagining outer space. While not concerned with rock’s material trappings, Hawkwind were, ironically, among the hardest-working groups in Britain, averaging one show every three days during the year preceding these recordings. Given all that practice, it’s not surprising that the performances collected here are incredibly tight (although, reportedly, a couple of tracks were edited). Incorporating most of Doremi Fasol Latido, the show for the Space Ritual tour was conceived as a space rock opera, its blend of sci-fi electronics, mesmerizing psy-fi grooves, and heavy, earthbound jamming punctuated with spoken word interludes from astral poet Bob Calvert. Although his intergalactic musings date the album, coming across now as camp futurism, they still provide fitting atmospheric preambles to Hawkwind’s astounding, mind-warping sounds. Calvert’s manic recital of Michael Moorcock’s “Sonic Attack,” for instance, is an exercise in tension that subsequently explodes on the stomping “Time We Left This World Today”; with Nik Turner’s otherworldly sax, Dave Brock’s guitar distortion, and the earth-moving rhythm section of Simon King and Lemmy, this track offers a blueprint for the album’s most potent material. Another standout is “Orgone Accumulator,” ten minutes of hypnotic (Wilhelm) Reich & roll that could be the missing link between Booker T. and Stereolab. A 1973 advertisement described Space Ritual as “88 minutes of brain damage”; that characterization still holds true.