Artist: Haochen Zhang
Album: Schumann, Liszt, Janáček & Brahms: Piano Works
Genre: Classical
Release Date: 2017
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:05:46
Total Tracks: 19
Total Size: 971 MB

Tracklist:

01. Haochen Zhang – Kinderszenen, Op. 15: No. 1. Von fremden Ländern und Menschen (Of Foreign Lands and People) (01:34)
02. Haochen Zhang – Kinderszenen, Op. 15: No. 2. Curiose Geschichte (A Strange Story) (01:13)
03. Haochen Zhang – Kinderszenen, Op. 15: No. 3. Hasche-Mann (Catch-as-catch-can) (00:32)
04. Haochen Zhang – Kinderszenen, Op. 15: No. 4. Bittendes Kind (Pleading Child) (00:50)
05. Haochen Zhang – Kinderszenen, Op. 15: No. 5. Glückes genug (Happy Enough) (01:15)
06. Haochen Zhang – Kinderszenen, Op. 15: No. 6. Wichtige Begebenheit (An Important Event) (00:53)
07. Haochen Zhang – Kinderszenen, Op. 15: No. 7. Träumerei (Dreaming) (02:22)
08. Haochen Zhang – Kinderszenen, Op. 15: No. 8. Am Camin (By the Fire-side) (01:06)
09. Haochen Zhang – Kinderszenen, Op. 15: No. 9. Ritter vom Steckenpferd (Knight of the Hobby-horse) (00:39)
10. Haochen Zhang – Kinderszenen, Op. 15: No. 10. Fast zu ernst (Almost Too Serious) (01:37)
11. Haochen Zhang – Kinderszenen, Op. 15: No. 11. Fürchtenmachen (Frightening) (01:52)
12. Haochen Zhang – Kinderszenen, Op. 15: No. 12. Kind im Einschlummern (Child Falling Asleep) (02:21)
13. Haochen Zhang – Kinderszenen, Op. 15: No. 13. Der Dichter spricht (The Poet Speaks) (02:35)
14. Haochen Zhang – Ballade No. 2 in B Minor, S171/R16 (14:08)
15. Haochen Zhang – Piano Sonata 1.X.1905, Jw VIII/19: I. Předtucha (Foreboding): Con Moto (05:40)
16. Haochen Zhang – Piano Sonata 1.X.1905, Jw VIII/19: II. Smrt (Death) (08:30)
17. Haochen Zhang – 3 Intermezzi, Op. 117: No. 1 in E-Flat Major (06:03)
18. Haochen Zhang – 3 Intermezzi, Op. 117: No. 2 in B-Flat Minor (04:35)
19. Haochen Zhang – 3 Intermezzi, Op. 117: No. 3 in C-Sharp Minor (07:51)

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In 2009, at the age of 19, Haochen Zhang became one of the youngest musicians ever to win the Van Cliburn International Piano Competition. Since then he has had a busy concert schedule, primarily in his native China and in the U.S.A. but also in Europe where he made his début at the BBC Proms in 2014. Recording has been less of a priority for Zhang, and it is only now that he releases his first studio album, recorded at the Reitstadel, the well-known audiophile venue in Neumarkt in Germany. For this recital, Haochen Zhang has devised a programme made up of works that he feels particularly close to. As he writes in his own liner notes, they ’not only speak to me in a very intimate way, but also connect with one another at a corresponding level of intimacy: as a whole they form a unique musical narrative.’ The pieces all share a reflective and introspective quality, albeit reflective in different ways. Opening the disc Schumann’s Kinderszenen were described by the composer as ‘reflections of an adult for adults’ and in the closing Op. 117 Intermezzi, Brahms also seems to be looking backwards – but with resignation rather than intimate tenderness. Framed by these two, the works by Liszt and Janá?ek contain overtly dramatic episodes, but contemplative interludes form a recurrent feature of the Ballade, and in Presentiment, the first movement of Janacek’s Sonata, the dark forebodings seem to rise up from the composer’s own soul.