Artist: Freiburger Barockorchester, Gottfried von der Goltz
Album: Beethoven: Symphony No. 7 – Die Geschöpfe des Prometheus
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:43:13
Total Tracks: 22
Total Size: 2,00 GB

Tracklist:

01. Freiburger Barockorchester & Gottfried von der Goltz – Symphоny No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace (14:02)
02. Freiburger Barockorchester & Gottfried von der Goltz – Symphony No. 7 in A Major, Op. 92: II. Allegretto (08:17)
03. Freiburger Barockorchester & Gottfried von der Goltz – Symphony No. 7 in A Major, Op. 92: III. Presto – Assai meno presto (09:26)
04. Freiburger Barockorchester & Gottfried von der Goltz – Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio (09:01)
05. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: Overture. Adagio – Allegro molto e con brio (04:34)
06. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: Introduction “La Tempesta”. Allegro non troppo (02:01)
07. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 1. Poco adagio – Allegro con brio (02:58)
08. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 2. Adagio – Allegro con brio (01:37)
09. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 3. Allegro vivace (02:00)
10. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 4. Maestoso – Andante (01:20)
11. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 5. Adagio – Andante quasi allegretto (06:58)
12. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 6. Un poco adagio – Allegretto (01:19)
13. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 7. Grave (03:50)
14. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 8. Marcia. Allegro con brio – Presto (06:38)
15. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 9. Adagio – Allegro molto (03:32)
16. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 10. Pastorale. Allegro (02:38)
17. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 11. Coro di Gioja. Andante (00:20)
18. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 12. Solo di Gioja. Maestoso – Adagio – Allegro (02:52)
19. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 13. Terzettino – Grotteschi. Allegro – Comodo (04:04)
20. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 14. Solo della Signora Cassentini. Andante – Adagio – Allegro – Allegretto (05:17)
21. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 15. Coro e Solo di Viganò. Andantino – Adagio – Allegro (04:10)
22. Freiburger Barockorchester & Gottfried von der Goltz – The Creatures Of Prometheus, Op. 43: 16. Finale. Allegretto – Allegro molto – Presto (06:11)

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In the words of Richard Wagner, Beethoven’s Seventh is a true “apotheosis of the dance”. It has enjoyed perennial popularity ever since it’s premiere, unlike his sole ballet, The Creatures of Prometheus, of which only the overture has remained (more or less) familiar to us. The musicians of the Freiburger Barockorchester, under the direction of their Konzertmeister Gottfried von der Goltz, offer a brillant new version of this key work in Beethoven’s corpus while reviving the complete version of one of his most unjustly forgotten masterpieces.A true ‘apotheosis of the dance’ in the words of Richard Wagner, Beethoven’s Seventh has enjoyed perennial popularity ever since its premiere – unlike his sole ballet, The Creatures of Prometheus, of which only the overture has remained (more or less) familiar to us. To offer a new version of a key work in Beethoven’s corpus while reviving the complete version of one of his most unjustly forgotten masterpieces: such is the challenge brilliantly taken up by the musicians of the Freiburger Barockorchester, under the direction of their Konzertmeister Gottfried von der Goltz.