Flemish Radio Choir, Brussels Philharmonic Orchestra, Hervé Niquet – Gounod: Cantates et musique sacrée (2018) [FLAC 24 bit, 88,2 kHz]

Flemish Radio Choir, Brussels Philharmonic Orchestra, Hervé Niquet - Gounod: Cantates et musique sacrée (2018) [FLAC 24 bit, 88,2 kHz] Download

Artist: Flemish Radio Choir, Brussels Philharmonic Orchestra, Hervé Niquet
Album: Gounod: Cantates et musique sacrée
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 88,2 kHz
Duration: 02:08:28
Total Tracks: 37
Total Size: 2,05 GB

Tracklist:

1-01. Brussels Philharmonic / Hervé Niquet – Marie Stuart et Rizzio: Prélude (00:58)
1-02. Gabrielle Philiponet / Brussels Philharmonic / Hervé Niquet – Marie Stuart et Rizzio: Récit. Il ne vient pas !… L’heure s’avance… (01:28)
1-03. Gabrielle Philiponet / Sébastien Droy / Brussels Philharmonic / Hervé Niquet – Marie Stuart et Rizzio: Récit et duo. C’est moi… c’est Rizzio… (04:34)
1-04. Gabrielle Philiponet / Brussels Philharmonic / Hervé Niquet – Marie Stuart et Rizzio: Récit. En vain ton amour me rassure ! (01:19)
1-05. Gabrielle Philiponet / Sébastien Droy / Brussels Philharmonic / Hervé Niquet – Marie Stuart et Rizzio: Cantabile. Adieu, douce et belle patrie (03:48)
1-06. Gabrielle Philiponet / Sébastien Droy / Brussels Philharmonic / Hervé Niquet – Marie Stuart et Rizzio: Récit. Mais le temps fuit… (04:13)
1-07. Gabrielle Philiponet / Brussels Philharmonic / Hervé Niquet – Marie Stuart et Rizzio: Air. Il n’est plus !… Vengeance ! (02:23)
1-08. Brussels Philharmonic / Hervé Niquet – Fernand: Prélude (03:05)
1-09. Nicolas Courjal / Brussels Philharmonic / Hervé Niquet – Fernand: Récit. La nuit a déployé ses voiles (02:04)
1-10. Judith Van Wanroij / Yu Shao / Brussels Philharmonic / Hervé Niquet – Fernand: Récit. Je n’entends plus de bruit (01:29)
1-11. Judith Van Wanroij / Yu Shao / Brussels Philharmonic / Hervé Niquet – Fernand: Duo. Non, Zelmire, un Abencérage (04:11)
1-12. Judith Van Wanroij / Yu Shao / Nicolas Courjal / Brussels Philharmonic / Hervé Niquet – Fernand: Marche et récit. Veillez, soldats ! (01:52)
1-13. Judith Van Wanroij / Yu Shao / Nicolas Courjal / Brussels Philharmonic / Hervé Niquet – Fernand: Trio. Sauve Alamir (02:49)
1-14. Judith Van Wanroij / Yu Shao / Nicolas Courjal / Brussels Philharmonic / Hervé Niquet – Fernand: Trio (Suite). Zelmire, en de plus doux moments (02:11)
1-15. Judith Van Wanroij / Yu Shao / Nicolas Courjal / Brussels Philharmonic / Hervé Niquet – Fernand: Trio (Suite). La route est ouverte (02:15)
1-16. Judith Van Wanroij / Yu Shao / Nicolas Courjal / Brussels Philharmonic / Hervé Niquet – Fernand: Trio (Suite). Dieu qui lit dans les cœurs (02:19)
1-17. Brussels Philharmonic / Hervé Niquet – La Vendetta: Prélude (01:29)
1-18. Chantal Santon-Jeffery / Brussels Philharmonic / Hervé Niquet – La Vendetta: Récit. Le soleil descend sous les eaux (01:03)
1-19. Chantal Santon-Jeffery / Brussels Philharmonic / Hervé Niquet – La Vendetta: Air. S’il savait que sa mère a pleuré son absence ! (02:50)
1-20. Chantal Santon-Jeffery / Yu Shao / Brussels Philharmonic / Hervé Niquet – La Vendetta: Récit. Un bruit, au loin, dans les arbres résonne (04:32)
1-21. Chantal Santon-Jeffery / Yu Shao / Brussels Philharmonic / Hervé Niquet – La Vendetta: Hymne en duo. À genoux ! (04:02)
1-22. Chantal Santon-Jeffery / Yu Shao / Brussels Philharmonic / Hervé Niquet – La Vendetta: Récit. Sais-tu bien ce que c’est (00:56)
1-23. Chantal Santon-Jeffery / Yu Shao / Brussels Philharmonic / Hervé Niquet – La Vendetta: Duo. Là-haut, je le vois ! (03:37)
2-01. François Saint-Yves / Flemish Radio Choir / Hervé Niquet – Messe vocale: Kyrie (07:12)
2-02. François Saint-Yves / Flemish Radio Choir / Hervé Niquet – Messe vocale: Gloria (04:21)
2-03. François Saint-Yves / Flemish Radio Choir / Hervé Niquet – Messe vocale: Credo (06:03)
2-04. François Saint-Yves / Flemish Radio Choir / Hervé Niquet – Messe vocale: Sanctus (02:31)
2-05. François Saint-Yves / Flemish Radio Choir / Hervé Niquet – Messe vocale: Benedictus (02:52)
2-06. François Saint-Yves / Flemish Radio Choir / Hervé Niquet – Messe vocale: Agnus Dei (03:36)
2-07. Judith Van Wanroij / Brussels Philharmonic / Hervé Niquet – Christus factus est (04:02)
2-08. Judith Van Wanroij / Caroline Meng / Artavazd Sargsyan / Alexandre Duhammel / Flemish Radio Choir / Brussels Philharmonic / Hervé Niquet – Hymne sacré (11:46)
2-09. Caroline Meng / Artavazd Sargsyan / Flemish Radio Choir / Brussels Philharmonic / Hervé Niquet – Messe de Saint-Louis-des-Français: Kyrie (05:46)
2-10. Caroline Meng / Artavazd Sargsyan / Flemish Radio Choir / Brussels Philharmonic / Hervé Niquet – Messe de Saint-Louis-des-Français: Gloria (04:34)
2-11. Caroline Meng / Artavazd Sargsyan / Flemish Radio Choir / Brussels Philharmonic / Hervé Niquet – Messe de Saint-Louis-des-Français: Credo (05:53)
2-12. Caroline Meng / Artavazd Sargsyan / Flemish Radio Choir / Brussels Philharmonic / Hervé Niquet – Messe de Saint-Louis-des-Français: Offertoire (02:59)
2-13. Caroline Meng / Artavazd Sargsyan / Flemish Radio Choir / Brussels Philharmonic / Hervé Niquet – Messe de Saint-Louis-des-Français: Sanctus (03:27)
2-14. Caroline Meng / Artavazd Sargsyan / Flemish Radio Choir / Brussels Philharmonic / Hervé Niquet – Messe de Saint-Louis-des-Français: Agnus Dei (03:40)

Download:

An icon of French Romanticism thanks to the enduring popularity of his operas Faust and Roméo et Juliette, Charles Gounod competed three times for the prestigious Prix de Rome between 1837 and 1839. Thus he composed three unpublished cantatas for soloists and orchestra, including Marie Stuart et Rizzio and La Vendetta, which he never had the opportunity to hear in performance. Revealed for the first time, these three cantatas, fine examples of French Romanticism, show a young composer with a remarkable flair for opera. In the end Fernand won him the coveted prize, carrying with it the privilege of a three-year stay (from 1840) at the Villa Medici in Rome. While there he produced several sacred compositions, which have also remained unknown until now. His splendid Messe vocale for unaccompanied choir, written in a neo-Palestrinian style, deserves a place on the programme of every vocal ensemble.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

© 2024 hi-res.me - WordPress Theme by WPEnjoy
%d bloggers like this: