Emmanuel Ceysson, Quatuor Voce – Ballad in Red (Works by Debussy, Hindemith, Salzédo) (2018) [FLAC 24 bit, 96 kHz]

Emmanuel Ceysson, Quatuor Voce - Ballad in Red (Works by Debussy, Hindemith, Salzédo) (2018) [FLAC 24 bit, 96 kHz] Download

Artist: Emmanuel Ceysson, Quatuor Voce
Album: Ballad in Red (Works by Debussy, Hindemith, Salzédo)
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:12:09
Total Tracks: 10
Total Size: 959 MB

Tracklist:

1-01. Emmanuel Ceysson – Ballade fantastique pour harpe (11:54)
1-02. Emmanuel Ceysson and Quatuor Voce – Conte fantastique (16:33)
1-03. Emmanuel Ceysson and Quatuor Voce – Red Quintet (11:51)
1-04. Emmanuel Ceysson – Sonate pour harpe: I. Mäßig schnell (05:00)
1-05. Emmanuel Ceysson – Sonate pour harpe: II. Lebhaft (02:29)
1-06. Emmanuel Ceysson – Sonate pour harpe: III. Sehr langsam (03:06)
1-07. Emmanuel Ceysson – 3 Morceaux pour harpe seule: I. Ballade, Op. 28 (09:31)
1-08. Emmanuel Ceysson and Quatuor Voce – Danse sacrée et danse profane, L. 103: I. Danse sacrée (04:31)
1-09. Emmanuel Ceysson and Quatuor Voce – Danse sacrée et danse profane, L. 103: II. Danse profane (04:54)
1-10. Emmanuel Ceysson – Le Fil rouge d’après un thème de Mathias (Bonus Track) (02:18)

Download:

The harp prodigy Emmanuel Ceysson, member of the orchestra of the Opéra national de Paris and more recently of the Metropolitan Opera, is a real star. His mad rise evokes that of the French Carlos Salzedo, born in the 19th, who became in New York the greatest harpist of his time, and revolutionized the repertoire of his instrument. This new album crosses the twentieth century in a program inspired by Gothic, under the sign of mystery and fantasy. The luminous Ballade by Salzedo resonates here with the works of more famous composers: Debussy’s impressionistic atmospheres shimmer, the fantastic settings of Caplet come to life, and the beauties of Hindemith’s writing play with the incredible sound palette of this orchestra-like instrument. Powerful in the bass, crystalline in the treble, Emmanuel Ceysson’s special red harp – built after Salzedo’s – blossoms fully in virtuoso solo pieces as well as in the dialogue with the strings of the Voce Quartet in the very Argentinian Gustavo Leone’s Quinteto Rojo. This imaginary but coherent musical stroll introduces to the new and captivating universes of the harp, with a repertoire devoted to the instrument.

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