Artist: Elvis Presley
Album: Elvis: As Recorded at Madison Square Garden
Genre: Rock
Release Date: 1972/2013
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 52:44
Total Tracks: 22
Total Size: 1,13 GB

Tracklist:

01. Elvis Presley – Introduction: Also Sprach Zarathustra (Theme From 2001: A Space Odyssey) (01:05)
02. Elvis Presley – That’s All Right (02:14)
03. Elvis Presley – Proud Mary (02:46)
04. Elvis Presley – Never Been To Spain (03:27)
05. Elvis Presley – You Don’t Have To Say You Love Me (02:02)
06. Elvis Presley – You’ve Lost That Lovin’ Feelin’ (04:11)
07. Elvis Presley – Polk Salad Annie (02:58)
08. Elvis Presley – Love Me (01:40)
09. Elvis Presley – All Shook Up (00:59)
10. Elvis Presley – Heartbreak Hotel (01:44)
11. Elvis Presley – Medley (01:50)
12. Elvis Presley – Love Me Tender (01:40)
13. Elvis Presley – The Impossible Dream (The Quest) (02:35)
14. Elvis Presley – Introductions by Elvis (01:34)
15. Elvis Presley – Hound Dog (01:49)
16. Elvis Presley – Suspicious Minds (04:21)
17. Elvis Presley – For The Good Times (03:09)
18. Elvis Presley – American Trilogy (04:31)
19. Elvis Presley – Funny How Time Slips Away (02:42)
20. Elvis Presley – I Can’t Stop Loving You (02:42)
21. Elvis Presley – Can’t Help Falling In Love (01:40)
22. Elvis Presley – End Theme (Orchestra) (00:54)

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Elvis: As Recorded at Madison Square Garden is the exhilarating live album by “The King.” Of all the live recordings in Elvis Presley’s illustrious career, none were more significant than his long-awaited New York City show at Madison Square Garden in June 1972. This multi-Platinum masterpiece captures Presley’s thrilling live energy and uncanny stage presence. Presley performed the chart-topping hits “Can’t Help Falling In Love,” “Love Me Tender,” “Heartbreak Hotel” and “All Shook Up”This was one of several live recordings by “the King” to appear during the early ’70s and was extremely popular, owing to the quality of the performance and the range and number of songs included, as well as the timing of its release — older fans, having been denied Elvis Presley’s presence on stage for more than a decade, responded to his sudden re-emergence with more enthusiasm than they’d shown for any of his non-hits albums in years; and new listeners, too young to have heard him in the 1950s but latching onto Elvis either directly or as part of the oldies boom, started checking out what all of the excitement was about. The show itself, from June 10, 1972, is the more elaborately produced follow-up to his Las Vegas performances of 1969-1970, Elvis backed by an eight-piece band, an orchestra, and at least eight male and female backup singers (including the Sweet Inspirations) — once one gets past the opening fanfare of “Also Sprach Zarathustra,” there isn’t a lot of difference between this and the best of his Vegas shows, except that Elvis is a lot more confident and self-assured here than he is at the early post-“comeback” concerts. Emboldened by the success of those releases and the fact that he was able to sell out arenas like the Garden, RCA also did something here that they hadn’t taken the chance on doing with his previous live albums, loading it up with songs new and old, and also a generous 52 minutes’ running time. As with all of his shows of this era, the King interspersed his own established repertory — which embraced everything from “That’s All Right” to “Suspicious Minds” — with songs identified with other performers: “Proud Mary,” “You Don’t Have to Say You Love Me,” and “You’ve Lost That Lovin’ Feeling” were all very suitable for him. Presley was in good form for this show and, by all accounts, this series of concerts, and gave beautifully wrought performances of the ballads, as well as highly energetic renditions of the harder rocking numbers. The sound is surprisingly close, betraying little of the cavernous acoustic of Madison Square Garden — there is, conversely, very little audience ambience as well, but that’s not terribly important, either; much more to the point is that the accompaniment, from James Burton’s guitar on down, is all captured reasonably well, thus making this one of the best of the big-venue Elvis Presley concert documents available: exciting, diverting, and mostly impressive as a performance. The American CD reissue is decent enough, and a mid-priced bargain, but the 2001 vintage Japanese 24-bit/96k digital remastering has to be heard to be believed.