Artist: Elizeth Cardoso
Album: Elizeth, a Exclusiva!
Genre: Bossa Nova, Latin Jazz
Release Date: 1963/2019
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 35:52
Total Tracks: 12
Total Size: 367 MB

Tracklist:

1. Elizeth Cardoso – Moeda Quebrada (03:19)
2. Elizeth Cardoso – Se Todos Fossem Iguais a Voce (04:12)
3. Elizeth Cardoso – O Amor e a Rosa (02:51)
4. Elizeth Cardoso – Mulata Assanhada (02:13)
5. Elizeth Cardoso – Suas Maos (02:49)
6. Elizeth Cardoso – E Luxo So (02:42)
7. Elizeth Cardoso – Nossos Momentos (03:34)
8. Elizeth Cardoso – Samba Triste (02:48)
9. Elizeth Cardoso – Risque (02:43)
10. Elizeth Cardoso – Deixa a Nega Gingar (02:41)
11. Elizeth Cardoso – Nossa Vez de Amar (02:57)
12. Elizeth Cardoso – Deixa Andar (02:57)

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Born in Rio de Janeiro, her father was a serenader who played guitar, and her mother was an amateur singer. Elizete began working at an early age and between 1930 and 1935 was a store clerk and hairdresser among other things. She was discovered by Jacob do Bandolim at her 16th birthday party, to which he was brought by her cousin Pedro, a popular figure among the musicians of the day. Jacó took her to Rádio Guanabara where, in spite of her father’s initial opposition, she appeared on the Programa Suburbano with Vicente Celestino, Araci de Almeida, Moreira da Silva, Noel Rosa and Marília Batista on August 18, 1936. The week after she was hired by the station to appear on a weekly program. Following this, she continued to perform on various shows with multiple radio stations. In the 1960s she had her own radio show.Due to her low pay, in 1939 she began to perform at clubs, movie theaters and other venues. She met with considerable success and her popularity increased significantly. In 1950, thanks to the support of Ataulfo Alves, she recorded Braços vazios (Acir Alves and Edgard G. Alves) and Mensageiro da saudade (Ataulfo Alves and José Batista), but the album was unsuccessful. Her next recording, also in 1950, met with popular approval. The album included Canção de amor (Chocolate and Elano de Paula), and the samba Complexo (Wilson Batista). The great success of Canção de amor led her, in 1951, to appear on the first television program in Rio de Janeiro on TV Tupi and helped launch her film career. She appeared in Coração materno, by Gilda de Abreu, and Watson Macedo’s É fogo na roupa.