Artist: Dexter Gordon
Album: Dexter Gordon Plays 1955
Genre: Jazz
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:17:24
Total Tracks: 12
Total Size: 1,37 GB

Tracklist:

1-1. Dexter Gordon – Daddy Plays The Horn (Remastered) (09:05)
1-2. Dexter Gordon – Confirmation (Remastered) (07:48)
1-3. Dexter Gordon – Darn That Dream (Remastered) (04:18)
1-4. Dexter Gordon – Number Four (Remastered) (04:48)
1-5. Dexter Gordon – Autumn In New York (Remastered) (06:27)
1-6. Dexter Gordon – You Can Depend On Me (Remastered) (08:58)
1-7. Dexter Gordon – Diggin’ For Diz (Remastered) (08:31)
1-8. Dexter Gordon – Ruby My Dear (Remastered) (03:15)
1-9. Dexter Gordon – Tune Up (Remastered) (05:51)
1-10. Dexter Gordon – La Chaloupee (Remastered) (05:17)
1-11. Dexter Gordon – Day In, Day Out (Remastered) (06:17)
1-12. Dexter Gordon – Stanley The Steamer (Remastered) (06:42)

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Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist. He was among the most influential early bebop musicians, which included other greats such as Charlie Parker, Dizzy Gillespie, and Bud Powell. Gordon’s height was 6 feet 6 inches (198 cm), so he was also known as “Long Tall Dexter” and “Sophisticated Giant”. His studio and performance career spanned over 40 years.Gordon’s sound was commonly characterized as being “large” and spacious and he had a tendency to play behind the beat. He was known for inserting musical quotes into his solos, with sources as diverse as “Happy Birthday” and well known melodies from the operas of Wagner. This is not unusual in jazz improvisation, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon’s playing as he explored hard bop and modal playing during the 1960s.

Gordon was known for his genial and humorous stage presence. He was an advocate of playing to communicate with the audience, which was his musical approach as well. His improvisation was remarkably engaging and intelligent, but never gratuitously complex or unusual. It was always a conversation simultaneously delightful and intellectual. One of his idiosyncratic rituals was to recite lyrics from each ballad before playing it.