Artist: Delphine Constantin-Reznik, Norrköping Symphony Orchestra, Daniela Musca
Album: Pratté: Harp Works
Genre: Classical
Release Date: 2021
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:13:16
Total Tracks: 12
Total Size: 1,17 GB

Tracklist:

01. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Grand Concert in G Minor for Harp & Orchestra: I. Allegro con spirito (23:16)
02. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Grand Concert in G Minor for Harp & Orchestra: II. Romanza (07:44)
03. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Grand Concert in G Minor for Harp & Orchestra: III. Rondo (12:14)
04. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Theme & Variations on a Swedish Folk Tune: Introdutione. Maestoso (02:09)
05. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Theme & Variations on a Swedish Folk Tune: Var. 1 (01:16)
06. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Theme & Variations on a Swedish Folk Tune: Var. 2 (00:50)
07. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Theme & Variations on a Swedish Folk Tune: Var. 3 (01:27)
08. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Theme & Variations on a Swedish Folk Tune: Var. 5. Quasi Hymne (01:43)
09. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Theme & Variations on a Swedish Folk Tune: Var. 6. Allegro con fuoco (00:57)
10. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Theme & Variations on a Swedish Folk Tune: Var. 7. Adagio (03:18)
11. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Theme & Variations on a Swedish Folk Tune: Var. 4 (01:12)
12. Delphine Constantin-Reznik, Norrköping Symphony Orchestra & Daniela Musca – Pratté: Souvenir de la Norvège (17:05)

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It was when Delphine Constantin-Reznik took up the post as harpist in the Norrk”oping Symphony Orchestra that she first came across the name Anton Pratt’e, well-known in his lifetime as a harpist and composer. Her research into the music and activities of this forgotten master has now resulted in the very first recording of any of his numerous compositions for the harp. Anton Edvard Pratt’e was born in Bohemia into a family that ran a touring puppet theatre. He came to Sweden as an adolescent, and soon made a name for himself, performing music of his own as well as by others. Pratt’e gave concerts across Sweden, as well as in Norway and Finland, and in the 1840s even went on an extensive tour of Europe, performing in Berlin (where members of the Prussian royal family were in the audience), Vienna and Prague. But much of his life was spent in the area around Norrk”oping where he taught the daughters of wealthy landowners and for a while conducted the local orchestra society – the forerunner of the Norrk”oping Symphony Orchestra heard in the Grand Concert which opens the present disc. This is followed by two works for solo harp, both making use of traditional tunes from Sweden and Norway respectively.When Delphine Constantin-Reznik took up the post as harpist in the Norrk”oping Symphony Orchestra, she first came across the name Anton Pratt’e, well-known in his lifetime as a harpist and composer. Her research into the music and activities of this forgotten master has now resulted in the very first recording of any of his numerous compositions for the harp. Anton Edvard Pratt’e was born in Bohemia into a family that ran a touring puppet theatre. He came to Sweden as an adolescent, and soon made a name for himself, performing music of his own as well as by others.

Pratt’e gave concerts across Sweden, as well as in Norway and Finland, and in the 1840s even went on an extensive tour of Europe, performing in Berlin (where members of the Prussian royal family were in the audience), Vienna and Prague. But much of his life was spent in the area around Norrk”oping where he taught the daughters of wealthy landowners and for a while conducted the local orchestra society – the forerunner of the Norrk”oping Symphony Orchestra heard in the Grand Concert which opens the present recording. This is followed by two works for solo harp, both making use of traditional tunes from Sweden and Norway respectively.