Artist: Chor des Bayerischen Rundfunks, Mariss Jansons
Album: Dvořák: Stabat mater für Soli, Chor und Orchester, Op. 58, B. 71
Genre: Classical
Release Date: 2016
Audio Format:: FLAC (tracks) 24 bit, 48 kHz
Duration: 01:17:55
Total Tracks: 10
Total Size: 749 MB

Tracklist:

01. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 1 Quartett und Chor: Stabat mater dolorosa. Andante con moto (17:40)
02. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 2 Quartett: Quis est homo, qui non fleret. Andante sostenuto (09:53)
03. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 3 Chor: Eja, mater, fons amoris. Andante con moto (07:11)
04. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 4 Bass-Solo und Chor: Fac, ut ardeat cor meum. Largo (08:25)
05. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 5 Chor: Tui nati vulnerati. Andante con moto, quasi allegretto (04:02)
06. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 6 Tenor-Solo und Chor: Fac me vere tecum flere. Andante con moto (06:43)
07. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 7 Chor: Virgo virginum praeclara. Largo (05:31)
08. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 8 Duo (Sopran und Tenor): Fac, ut portem Christi mortem. Larghetto (04:29)
09. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 9 Alt-Solo: Inflammatus et accensus. Andante maestoso (05:14)
10. Jacopone da Todi, Erin Wall, Mihoko Fujimura, Christian Elsner, Liang Li, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Stabat mater, Op. 58, B. 71: Nr. 10 Quartett und Chor: Quando corpus morietur. Andante con moto (08:43)

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Dvorák’s haunting „Stabat Mater“ for solo voices, chorus and orchestra is not only the most famous work of church music by the Bohemian composer – it is also one of the most impressive ever settings of the medieval hymn in which Mary, the mother of Jesus, gives vivid expression to the pain she feels at the sight of her crucified son. The terrible misfortunes that befell the composer in his private life during the creation of this work may have been a reason for this. It is the continuous expression of deep piety, above all, that gives this music its special dignity. It was precisely this intensity that was conveyed by the concert on March 26, 2015 in the Herkulessaal of the Munich Residenz, where the four renowned soloists were in fine voice, and the Chor des Bayerischen Rundfunks once again delivered the ‘crystal clear sound’ and ‘incredible three-dimensionality’ for which it is highly praised time and again. And the Symphonieorchester des Bayerischen Rundfunks, conducted by Mariss Jansons, performed Dvorák’s deeply moving music authentically, in keeping with the composer’s intentions: sensitively felt, yet with a resonant, magnificent sound.