Choir of Clare College Cambridge, Graham Ross – O lux beata Trinitas (2018) [FLAC 24 bit, 96 kHz]

Choir of Clare College Cambridge, Graham Ross - O lux beata Trinitas (2018) [FLAC 24 bit, 96 kHz] Download

Artist: Choir of Clare College Cambridge, Graham Ross
Album: O lux beata Trinitas
Genre: Classical
Release Date: 2018
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 01:14:54
Total Tracks: 15
Total Size: 1,17 GB

Tracklist:

01. Choir of Clare College, Cambridge, Graham Ross – Liturgie Johannes Chrysostomos No. 2, Op. 29: VI. Cherubic Hymn (04:56)
02. Choir of Clare College, Cambridge, Graham Ross – Festival Te Deum, Op. 32 (05:54)
03. Choir of Clare College, Cambridge, Graham Ross – Duo Seraphim (04:35)
04. Choir of Clare College, Cambridge, Graham Ross – Laudate Dominum, Psalm 150 (02:14)
05. Choir of Clare College, Cambridge, Graham Ross – 10 Choral Pieces, Op. 27: No. 5. Cherubic Hymn (05:44)
06. Choir of Clare College, Cambridge, Graham Ross – I saw the Lord (06:28)
07. Choir of Clare College, Cambridge, Graham Ross – Mass: Sanctus-Benedictus (05:19)
08. Choir of Clare College, Cambridge, Graham Ross – 9 Sacred Pieces: Cherubic Hymn No. 1, in F-Major (04:58)
09. Choir of Clare College, Cambridge, Graham Ross – Libera nos, salva nos No. 1 & 2 (05:43)
10. Choir of Clare College, Cambridge, Graham Ross – O lux beata Trinitas (05:08)
11. Choir of Clare College, Cambridge, Graham Ross – Liturgy of St John Chrysostom, Op.31: No. 8. Cherubic Hymn (05:08)
12. Choir of Clare College, Cambridge, Graham Ross – Tres sunt (04:35)
13. Choir of Clare College, Cambridge, Graham Ross – Cherubic Hymn (04:43)
14. Choir of Clare College, Cambridge, Graham Ross – Hymn to the Trinity (Honor, Virtus, et Potestas) (06:10)
15. Choir of Clare College, Cambridge, Graham Ross – Hail, gladdening light (03:13)

Download:

A joyful Trinity. Graham Ross concludes his exploration of music for the liturgical calendar with a programme focusing on the Holy Trinity, as reflected in music of the Russian and British traditions. From the works of the New Russian Choral School led by Tchaikovsky to more modern pieces such as those of Britten, with excursions into the Renaissance and contemporary creation, Graham Ross skilfully brings out the multiple correspondences between the choral traditions that have become established over the centuries around the mystery of the Trinity.

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