Artist: Butcher Brown
Album: #KingButch
Genre: Jazz
Release Date: 2020
Audio Format:: FLAC (tracks) 24 bit, 96 kHz
Duration: 41:56
Total Tracks: 13
Total Size: 813 MB

Tracklist:

01. Butcher Brown – Fonkadelica (00:46)
02. Butcher Brown – #KingButch (02:25)
03. Butcher Brown – Broad Rock (03:58)
04. Butcher Brown – Cabbage (DFC) (04:38)
05. Butcher Brown – Gum In My Mouth (02:39)
06. Butcher Brown – Frontline (Intro) (00:43)
07. Butcher Brown – Frontline (04:52)
08. Butcher Brown – 1992 (02:50)
09. Butcher Brown – Love Lock (04:15)
10. Butcher Brown – Hopscotch (01:08)
11. Butcher Brown – Tidal Wave (03:32)
12. Butcher Brown – For The City (03:47)
13. Butcher Brown – IDK (06:17)

Download:

#KingButch—hashtag proudly attached—is the title of Butcher Brown’s soon-to-be top-trending album, the eighth in the band’s up-from-the-roots legacy, and their first with Concord Records, on the Concord Jazz imprint. The 13 tracks collectively represent a bold step forward for the 5-piece group from Richmond, Virginia. Remaining true to the group’s heady fusion of contemporary hip-hop, ‘70s fusion, ‘60s jazz and funk—even echoes of Southern rock and marching band music show up—#KingButch is a powerfully original statement that reaches across divisions of genre, generation, ethnicity, and geography. Significantly, the new recording also reveals a side of Butcher Brown that’s been developing and is now in full-flower: a song-crafting, studio maturity on a par with their national reputation as an explosive live act.#KingButch, like previous Butcher Brown recordings, was recorded in their home recording facility—Jellowstone Studios (the group’s “nerve center”)—and features the striking and diverse talents of the band’s members: deejay / producer / keyboardist DJ Harrison; drummer Corey Fonville; bassist Andrew Randazzo; trumpeter / saxophonist / MC Marcus “Tennishu” Tenney; and guitarist Morgan Burrs. The album also benefits from the production skills of Chris Dunn (N’Dambi, NEXT Collective, Leela James, Christian Scott aTunde Adjuah), Concord Records’ Sr. Director of A&R, and was recorded in a furiously creative, two-week period last October. The cover art was created by famed designer Lou Beach, famed for his iconic cover of Weather Report’s 1977 classic, Heavy Weather. Butcher Brown’s career has been guided for the past four years by veteran artist manager David Passick (Herbie Hancock, Don Was, Maxwell), whose management firm represents a number of pioneering musicians in the jazz/hip-hop overlap; #KingButch is dedicated to Passick’s long-time partner, Jack Leitenberg, who passed away last year.

Track by track, the musical menagerie on #KingButch is a balance of stylistic flavors—polished and raw, urban and country, North and South—offering a fluid, feel-good sonic journey: from the party-starting, neo-soul lope of the opening track “Fonkadelica”, and the exuberant, horn-driven energy (serious EWF echoes!) of “Cabbage (DFC)”; to the hypnotic, guitar-driven groove of “Broad Rock”; the ethereal cover of Ronnie Laws’ “Tidal Wave”, fusing it with flavors from Black Moon’s 1993 classic “Who Got Da Props” which sampled it; and the soaring, skipping-through-clouds feel of “Love Lock”, reviving a 1978 Mtume tune with a melodic line that stays for days. There are the album’s four tunes highlighting Tennishu’s rhymes and flow: the relaxed, acid-jazz vibe of the title track; the skillful, free-styling “Hopscotch”; and the bossa nova-flavored “Gum In My Mouth”. “For The City” offers a taste of South Coast hip-hop flavor, and features RVA rapper Fly Anakin.

#KingButch is a direct outgrowth of Butcher Brown’s burgeoning popularity, building since the group’s first homegrown releases in 2013. Many of the songs were born on the road during a busy two-year period, when they shared the stage with such jazz, funk, and jam-band favorites as Kamasi Washington, Galactic, Turkuaz, and Lettuce. “We did so many tours from 2017 through most of 2019,” Corey Fonville says. “We were working on much of this material, working it out every night like an open rehearsal, developing a set list and sharpening these songs until it just felt natural once we got into the studio.”