Artist: Brian Eno
Album: The Ship (Remastered 2023)
Genre: Electronic, Ambient
Release Date: 2016/2023
Audio Format:: FLAC (tracks) 24 bit, 44,1 kHz
Duration: 47:31
Total Tracks: 4
Total Size: 447 MB

Tracklist:

01. Brian Eno – The Ship (Remastered 2023) (21:19)
02. Brian Eno – Fickle Sun (i) (Remastered 2023) (18:03)
03. Brian Eno – Fickle Sun (ii) The Hour Is Thin (Remastered 2023) (02:50)
04. Brian Eno – Fickle Sun (iii) I’m Set Free (Remastered 2023) (05:18)

Download:

Newly remastered by Miles Showell at Abbey Road. Celebrating Eno’s first-ever solo tour, ‘Ships across Europe’, joined by Baltic Sea Philharmonic conducted by Kristjan Järvi in October 2023.

The Ship from 2015 was Eno’s first solo record since 2012’s Grammy-nominated LUX. Originally conceived from experiments with three dimensional recording techniques and formed in two, interconnected parts, The Ship is almost as much musical novel as traditional album. Eno brings together beautiful songs, minimalist ambience, physical electronics omniscient narratives and technical innovation into a single, cinematic suite. The result is the very best of Eno, a record without parallel in his catalogue.​“The Ship is a great, unexpected record. The title track and “Fickle Sun (i)” on their own and as a connected piece of music are marvelous accomplishments, distinctive in Eno’s catalog. And “I’m Set Free” immediately ranks among the most perfect-sounding pop songs Eno has ever had a hand in making.” – Pitchfork

“The music of “The Ship” is tolling and elegiac, while “Fickle Sun,” with lyrics about the “dismal work” of a soldier’s life, is in constant metamorphosis. Electronic sounds melt into orchestral upheavals and guitar distortion; voices, natural and synthetic, loom from all directions.” – The New York Times

“The Ship is the work of someone who fully believes in the power of art as an empathic tool, as a means to invoke a particular viewpoint, an unconsidered perspective.” – The Quietus

“sits somewhere between the chilly calm of Music for Airports and the eerie evocations of the Suffolk landscape found on 1982’s On Land” – The Guardian