Bob Dylan – Bringing It All Back Home (1965/2014) [FLAC 24bit, 96 kHz]

Bob Dylan - Bringing It All Back Home (1965/2014) [FLAC 24bit, 96 kHz] Download

Artist: Bob Dylan
Album: Bringing It All Back Home
Genre: Rock
Release Date: 1965/2014
Audio Format:: FLAC (tracks) 24bit, 96 kHz
Duration: 47:04
Total Tracks: 11
Total Size: 1002 MB


01. Bob Dylan – Subterranean Homesick Blues (02:19)
02. Bob Dylan – She Belongs to Me (02:49)
03. Bob Dylan – Maggie’s Farm (03:59)
04. Bob Dylan – Love Minus Zero (02:50)
05. Bob Dylan – Outlaw Blues (03:03)
06. Bob Dylan – On the Road Again (02:34)
07. Bob Dylan – Bob Dylan’s 115th Dream (06:31)
08. Bob Dylan – Mr. Tambourine Man (05:26)
09. Bob Dylan – Gates of Eden (05:42)
10. Bob Dylan – It’s Alright, Ma (I’m Only Bleeding) (07:31)
11. Bob Dylan – It’s All Over Now, Baby Blue (04:13)


Bringing It All Back Home is Bob Dylan’s fifth studio album and was released on March 27, 1965 on Columbia Records. It was originally divided into an electric and an acoustic side, and demonstrates Dylan’s movement away from folk music and towards electric rock. The album is considered to be one of the greatest and most influential albums in rock history.With Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it’s not just that he went electric, either, rocking hard on “Subterranean Homesick Blues,” “Maggie’s Farm,” and “Outlaw Blues”; it’s that he’s exploding with imagination throughout the record. After all, the music on its second side — the nominal folk songs — derive from the same vantage point as the rockers, leaving traditional folk concerns behind and delving deep into the personal. And this isn’t just introspection, either, since the surreal paranoia on “It’s Alright, Ma (I’m Only Bleeding)” and the whimsical poetry of “Mr. Tambourine Man” are individual, yet not personal. And that’s just the tip of the iceberg, really, as he writes uncommonly beautiful love songs (“She Belongs to Me,” “Love Minus Zero/No Limit”) that sit alongside uncommonly funny fantasias (“On the Road Again,” “Bob Dylan’s 115th Dream”). This is the point where Dylan eclipses any conventional sense of folk and rewrites the rules of rock, making it safe for personal expression and poetry, not only making words mean as much as the music, but making the music an extension of the words. A truly remarkable album.

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