Anastasia Kobekina, Vincent Boccadoro, Emmanuel Arakélian, Thibault Cauvin, Tristan Pereira – Ellipses (2022) [FLAC, 24bit, 48 kHz]

Anastasia Kobekina, Vincent Boccadoro, Emmanuel Arakélian, Thibault Cauvin, Tristan Pereira - Ellipses (2022) [FLAC, 24bit, 48 kHz] Download

Artist: Anastasia Kobekina, Vincent Boccadoro, Emmanuel Arakélian, Thibault Cauvin, Tristan Pereira
Album: Ellipses
Genre: Classical
Release Date: 2022
Audio Format: FLAC (tracks) 24bit, 48 kHz
Duration: 50:08
Total Tracks: 11
Total Size: 495 MB

Tracklist:

01. Anastasia Kobekina – Fandango per violoncello solo (04:51)
02. Anastasia Kobekina & Vincent Boccadoro – Sonata for Cello and Piano (11:39)
03. Anastasia Kobekina & Thibault Cauvin – Bachianas Brasileiras: No. 5, Aria for Cello and Guitar (05:11)
04. Anastasia Kobekina & Emmanuel Arakélian – Sicilienne pour violoncelle baroque et clavecin (01:30)
05. Anastasia Kobekina & Vincent Boccadoro – Sicilienne, Op. 78 for Cello and Piano (03:41)
06. Anastasia Kobekina & Vincent Boccadoro – Sicilienne (Transcribed for Cello & Piano) (02:51)
07. Anastasia Kobekina & Emmanuel Arakélian – Sicilienne for Bassoon or Violoncello (01:28)
08. Anastasia Kobekina & Emmanuel Arakélian – Les Folies d’Espagne (Transcribed for Cello & Harpsichord) (06:50)
09. Anastasia Kobekina – La Follia pour violoncelle solo (05:40)
10. Anastasia Kobekina & Emmanuel Arakélian – Détail pour violoncelle baroque et clavecin (03:40)
11. Anastasia Kobekina & Tristan Pereira – Gallardo pour violoncelle et tambourin (02:44)

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Anastasia Kobekina suggests the history of the cello through ellipses, jumps in time between pieces from the 18th century, among the very first written for this instrument alone (Boccherini, Fesch, Galliard), and others from our time (Thierry Escaich, Jules Matton) which draw their writing processes and their sound palettes from the ancient repertoire. Whether it is a question of nostalgia, sometimes ironic, of homage or of intellectual and artistic transmission between composers, the compositions for cello are never born ex-nihilo. By returning to the sources of the Baroque era, composers write the present and the future of the cello. Anastasia Kobekina blurs the boundaries by building indescribable bridges between their so diverse writings.
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